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Ackroyd and Harvey used as the subjects of their photographs people and objects that inhabit the Gardner. The two largest pieces face each other and have a particularly compelling relationship. One, a triptych on hinges, is comprised of three panels: a bookshelf in the museum at the center and the exit doors on the side panels. Facing that piece is “Script.” As if one had been able to open a book on the photographed shelf “Script” displays a close up of an excerpted passage from Dante?...

Author: By Lisa Foti-straus, CRIMSON STAFF WRITER | Title: A Gift of Presence: Living Art at the Gardner | 11/9/2001 | See Source »

...commitment to live in this city for four years, we feel comfortable remaining completely dissociated from the issues which deeply affect city residents. We spend our days educating ourselves about abstract questions, but allow ourselves the luxury of ignoring the day-to-day concerns of the community that we inhabit...

Author: By Sarah C. Spiegel, | Title: A Vote for the Community | 11/5/2001 | See Source »

...racial, cultural and socio-economic diversity that makes Cambridge such a terrific place in which to live and go to school could easily evaporate if the city doesn’t take a stand to protect it. We may not live among our neighbors, but we do inhabit their larger community. We’ll live in this community four years, and we have an obligation to inform ourselves about the issues that affect it. And in the case of a no-brainer like this one, we owe it to the community to vote in its interests...

Author: By Sarah C. Spiegel, | Title: A Vote for the Community | 11/5/2001 | See Source »

...engrossing that one feels vaguely cheated by their brevity. What’s more, Jeunet sets his film in the sort of immaculate Paris that makes tourism boards salivate. Everything is gorgeous here, from Amélie’s apartment to the subway platforms Nino scours. The characters inhabit a fantasy version of the Montmartre district, miraculously free of gawking tourists and the souvenir shops that attract them. Of course, there’s the obligatory accordion soundtrack, but it serves well to keep the mood light and link some otherwise disjointed scenes. That?...

Author: By Thomas J. Clarke, CRIMSON STAFF WRITER | Title: Matchmaker, Matchmaker | 11/2/2001 | See Source »

...case, the ghosts in question inhabit the elaborate mansion of a wealthy eccentric (F. Murray Abraham). After his death the mansion is bequeathed to his nearest relative, a young widower (Tony Shalhoub) with two incredibly irritating children (Alec Roberts and American Pie’s Shannon Elizabeth). Accompanied by their offensively stereotypical black babysitter (Rah Digga) and an overactive ghost hunter (Matthew Lillard), the family becomes trapped in the mansion and struggles to uncover its secret...

Author: By Daniel A. Zweifach, CRIMSON STAFF WRITER | Title: Little House Of Horrors | 10/26/2001 | See Source »

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