Word: inhabitations
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...perhaps this very difficulty in processing the real world with any semblance of understanding that defines Travis's state: he cannot perceive reality beyond a basic conflict between a common man/hero in the evil world he must inhabit. Accordingly, the sight of a thirteen-year-old prostitute (Jodie Foster) fascinates him, epitomizing the destructive influence of the "scum of the streets." Later, her detestable pimp (Harvey Keitel) will be the first to face his vision of justice...
Without this goal, Rev. Gomes is telling us, there can never be and will never be on this earth anything approaching a viable humanism among the myriad contending groups who inhabit this earth--ethnic and racial groups, religious groups, linguistic groups, nationality groups, gender groups, etc. There is no notion of a viable humanism shaping the interrelations in today's world between contending groups like Azerbaijanis and Armenians, Jews and Palestinians, Tutsi and Hutu, Irish Catholics and Irish Protestants (in Northern Ireland), Turks and Kurds, etc., without the reign of Rev. Gomes' goal of Christian forgiveness. And he formulates this...
...that life necessarily exists on either of the new planets. The question is impossible to settle with today's technology, and if organisms do inhabit these distant worlds they would be a bizarre sort of life, proceeding from birth to death, generation after generation, without ever touching solid ground...
...Past and present reminders of that madness now reach us with context-blurring frequency. Contemporary television images of skinheads tattooed with swastikas and the firebombed houses of Germany's Turkish immigrants regularly cross paths with rerun footage of Brownshirts rampaging in the 1930s. Have the unholy dead returned to inhabit new bodies? Hasselbach's zombie-like voice, preserved to creepy effect by American co-author Tom Reiss, can almost make you think so. "As he lay on the ground, Frank and I kicked him in the neck, in the stomach, in the face, in the skull...and I was thinking...
...robber in Heat, his film becomes a compassionate contemplation of the two most basic ways of being male and workaholic in modern America. It also becomes a critique of pure reason. For Neil is placing impossible demands on himself, on his associates, on a chance universe in which they inhabit one of the chancier corners. He can't prevent himself from falling in love (with Amy Brenneman's innocent bookstore clerk). He can't prevent his most valuable henchman and his wife (Val Kilmer and Ashley Judd) from marital misbehavior that threatens his enterprise. He can't, in general, prevent...