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...forecast as what they express. Working in the 30s. Mary Ellen Bute was one of the first to use electronic imagery in film. The spinning, dancing line of her "Mood Contrasts" (1953) seems to embody the music which propels it in a manner reminiscent of the pulsing equalizers which inhabit so many videos. Bute especially wanted to make music visual, to give, as she states in "Rhythm and Light," "a modern artist's impression of what goes on in the mind while listening to music." Bute's witty use of color and shape to express a trumpet's waver...

Author: By Sarah C. Dry, | Title: From Bauhaus to MTV: Forging the History of Abstract Film | 12/7/1995 | See Source »

...proliferation of wildly varying body plans during the Cambrian, scientists reason, therefore must have something to do with Hox genes. But what? To find out, developmental biologist Sean Carroll's lab on the University of Wisconsin's Madison campus has begun importing tiny velvet worms that inhabit rotting logs in the dry forests of Australia. Blowing bubbles of spittle and waving their fat legs in the air, they look, he marvels, virtually identical to their Cambrian cousin Aysheaia, whose evocative portrait appears in the pages of the Burgess Shale. Soon Carroll hopes to answer a pivotal question: Is the genetic...

Author: /time Magazine | Title: When Life Exploded | 12/4/1995 | See Source »

Aaaaaah, maybe not. This American President exists in an alternate universe from the one the real Bill Clinton must inhabit. The movie offers nostalgia for a time that might have been...

Author: /time Magazine | Title: CINEMA: WHERE NICE GUYS FINISH FIRST | 11/20/1995 | See Source »

Canada has an escape. By accident of geography, separation is a real option because the different cultures inhabit different territories. For a country like America, where the different cultures are thoroughly intermixed, there is no such answer. Canada can break up cleanly; the U.S. cannot...

Author: /time Magazine | Title: QUEBEC AND THE DEATH OF DIVERSITY | 11/13/1995 | See Source »

...Travolta's apparent indifference to the upward and downward lurches of his career that draws him the nervous attention he has trouble comprehending. People in the movie business like to pretend they inhabit a rational universe, one where you can determine a star's course through a series of well-plotted career moves. Strolling equably through a universe he implicitly defines as chaotic, playing what amounts to a real-life Chili Palmer--mannerly, sweet-spirited, yet utterly confident of his own strength--Travolta calls all their operating assumptions into question. And deepens his own mystery...

Author: /time Magazine | Title: CINEMA: TRAVOLTA FEVER | 10/16/1995 | See Source »

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