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...family runs a loose conglomeration of 18 firms that includes nursing homes and construction companies and a 35-acre farm. Family members drive a BMW, Lincoln Continental, Mercedes and Rolls-Royce, and live in such affluent suburbs as Sherman Oaks, Altadena and Palos Verdes Estates. But Hawkins continues to inhabit the tidy three-bedroom home, American flag fluttering over the garage, that long ago replaced the wooden shack. Dressed in shirt and tie and black cowboy boots, he works daily at the grocery store. He gives birthday parties for neighborhood children and often pays for their shoes and haircuts...

Author: /time Magazine | Title: You Can Only Take So Much | 10/24/1983 | See Source »

Foxes, who tend to inhabit universities and the State Department would treat each case as unique and see local causes and particular circumstances. In El Salvador, look at land tenure and understand the role of the army as a way for middle-class men to get rich by killing the poor. Lebanon? The 1943 national pact now underrepresented Shiite Moslems and the Druse, hence they are unhappy. With this sort of perspective, foxes see hedgehogs as ideologues likely to waste lives and money in immoral adventures. Hedgehogs see foxes as blind to the ever-present danger and willing to give...

Author: By Seth Singleton, | Title: Provoking The Hedgehogs | 10/21/1983 | See Source »

...Hawn's daffy blond, Chevy Chase's overage preppie. Bill Murray's blitzed-out party guy. The other group-the inspired mimics who hid themselves behind the galaxy of comic characters they portrayed-looked both stretched and cramped when, in a movie, they were required to inhabit only one personality. From Sid Caesar and Carol Burnett to Lily Tomlin, Gilda Radner and Aykroyd, these performers had enough energy and scarifying talent to burst out of the small screen, but lacked the strong, smooth identities that Hollywood could package as star quality...

Author: /time Magazine | Title: Show Business: The Good Little Bad Little Boy | 7/11/1983 | See Source »

...Corn points out, the eroticism that might have been an attribute of his figures is transferred entirely to the landscape they inhabit. Wood's people are nearly always emblems of either innocence or rectitude: pink and doll-like when they are not harsh and sanctimonious. But the hills are like green breasts and buttocks, heaving perceptibly in his preferred light, that of a young spring morning. The plowshare slices into them suggestively. His best landscapes from the '30s, like Spring Turning, 1936, are votives to the original dea mater: man makes his brown tattoos on that vast pelt...

Author: /time Magazine | Title: Art: Scooting Back to Anamosa | 6/27/1983 | See Source »

...There is a huge difference between the kids born here and the kids born in Mexico," says Jesse Quintero, a teacher whose students are mostly illegals. "It's a different breed." And while the waves of illegal Mexican immigrants are exceptionally poor, the barrio's long-entrenched Mexican Americans inhabit a world more like William Bendix's TV L.A. in the 1950s show The Life of Riley: working-class comfortable. The middle class, perhaps 30% of L.A.'s latinos, seldom use the vaguely militant term chicano...

Author: /time Magazine | Title: Los Angeles: The New Ellis Island | 6/13/1983 | See Source »

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