Word: injectables
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Dates: during 2000-2009
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...Bright and strong and golden." He's right, and the album shines brightest when Plant mixes his two musical loves, Western rock and third-world rhythms. Takamba (a word the Tuareg tribe use to describe a camel's gait) splices hypnotic African grooves with crashing drums. He can even inject a dose of politics: Freedom Fries, a cutting attack on the Bush presidency, welds an offbeat guitar lick to the furious pounding of a Moroccan bendir drum. But call it world music at your peril; Mighty Rearranger is a million miles away from Paul Simon's reverential take on African...
...Harvard Foundation for Intercultural and Race Relations hopes to inject some desperately needed levity into the contentious discourse on race and ethnic identity. To that end, on the evening of April 11, it launched its second annual film festival under the title, “Whose Slur Is It Anyway? Defining Ethnic Identity Through Humor and Satire...
...after all). The finale was begun with a cover of “Inside of You,” by the similarly outlandish countryish troubadour named Tom Jans. The song reflected a lot of Oldham’s own tendencies, including his bizarrely overt and yet endearing tendency to inject sexual references into otherwise Platonic enough songs of love lost and found (well, mostly lost). The group followed this cover with a beautiful, shuffling version of pre-bluegrass classic “Happy In Prison,” Oldham and Sweeney singing, “For a cross receive...
...general to Soviet headquarters to propose a surrender of Berlin in exchange for their own safety in leaving the city. During the long interval before the general returned with a Soviet rejection, Goebbels decided that he too must die. He ordered one of the bunker's doctors to inject sedatives into his six children, who had taken refuge with him in the bunker, then they were given poison. Goebbels' wife Magda bit on a cyanide pill, and Goebbels shot her in the back of the head. Then, just like Hitler, he raised his pistol to his own temple and fired...
...sympathetic nurse (Kristen Smeltzer) named Susan and a former professor of Dr. Bearing, her sole visitor (Elizabeth K. Mahoney ‘05) inject poignancy into the play with tiny gestures. In fact, Susan rubs the unconscious Bearing’s hands with lotion, while her visitor Dr. Ashford kisses the dead woman on the forehead, performing gestures that with their naturalism avoid seeming emotionally manipulative...