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...quit smoking the same way, by sucking on a crayon." Like so many other Billings geeters--yet one more slang term--Justin is a teller of wild tales. He shows off the sunken veins in his arms and describes how he once had to gaff his shot of crank--inject it straight into his jugular vein--while watching himself in a rearview mirror. "The jugular," he says, nodding earnestly, "the only vein in the body that won't roll over...

Author: /time Magazine | Title: Crank | 6/22/1998 | See Source »

...Aretha Franklin. Although Holiday, who counted Bessie Smith among her most important musical influences, was not a blues singer per se, her music was deeply rooted in the blues tradition. As a jazz musician working primarily with the idiom of white popular song, Holiday used the blues tradition to inject suggestions of perspectives more complicated than those the lyrics themselves contained...

Author: /time Magazine | Title: Blues Music: Back To The Roots | 6/8/1998 | See Source »

...being responsible as if that means being complacent. Let us for once be who we are, not who we are told we should be. And for the love of God, let us poster wherever we want. For in doing so we do not deface the ground but rather inject our stodgy red brick surroundings with the wild-eyed enthusiasm of youth...

Author: By Andrew A. Green, | Title: Speak in Hard Words | 6/4/1998 | See Source »

Here's a cautionary tale about entrusting the free market with the task of caring for the very poor. Connecticut's welfare administrators, swept up in the national tide of reform, decided last year to inject a little private enterprise into their tired bureaucracy. They awarded a $12.8 million contract to Maximus Inc., based in McLean, Va., to put a shine on a state program that pays for child care for working welfare recipients. But within months Maximus found its operations in the kind of disarray it usually takes government years to achieve. More than...

Author: /time Magazine | Title: When Wall Street Runs Welfare | 3/23/1998 | See Source »

Lotto liked to inject unexpected naturalist details into religious scenes, but once there, they don't rupture the sacred moment; they enhance it. Thus in his Adoration of the Shepherds, circa 1534, one of the shepherds is showing the baby Christ a lamb, whose head the child grabs at, nearly sticking his thumb in its eye, with infantile curiosity. This looks like the most natural of gestures, but it makes a fluent symbolic point as well, since one is expected to read it as Christ embracing the image of his future self-sacrifice, the Paschal Lamb...

Author: /time Magazine | Title: Art: An Enchanting Strangeness | 2/2/1998 | See Source »

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