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...tend to be aggressively hyperbolic and are occasionally contradicted by their own supporting documents. For one thing, the President faults Clinton for not favoring a balanced-budget amendment to the Constitution -- though it was the Reagan and Bush Administrations that are mainly responsible for the enormous amounts of red ink in the federal budget...

Author: /time Magazine | Title: Here Come the Big Guns | 8/31/1992 | See Source »

...will hear that many of the 26 clubs are losing money. With the average player's salary topping $1 million this year, attendance slumping and TV revenue due to drop in 1994, the owners seem noble just to stay in the game, given all that hemorrhaging red ink...

Author: /time Magazine | Title: Build It, and They (Will) MIGHT Come | 8/24/1992 | See Source »

...commemorative stamp, but in just one month on the job as Postmaster General, he has already had a bigger impact on the Postal Service's bottom line than the popular Elvis issue. Last Friday, in a dramatic bid to stem 10 straight years of red ink and bureaucratic bloat, he announced cuts of about 30,000 managerial jobs -- including more than half of the top 42 posts -- over the next three months, and a major restructuring of the way the service...

Author: /time Magazine | Title: Pink Slips in the Mail | 8/17/1992 | See Source »

Luckily, I had decided early on to develop other skills. I joined the media. The Harvard media--home of the future cultural elite. I learned how to stomach greasy hamburgers at four in the morning while inhaling secondhand cigar smoke and ink fumes. Most importantly, I learned how to smell a scandal from miles away...

Author: By Beth L. Pinsker, | Title: And Now, A Message From Our Sponsor... | 7/3/1992 | See Source »

...mainstream of Guercino's graphic work was his studies for commissions. He worked in many media -- chalk, charcoal, crayon, pencil -- but his favorite was pen and ink wash, from which he produced brilliant summaries of movement, light and shade. The trace of the pen twists and flourishes, now with a liquid agitation, now in sheaves of parallel hatching as tense as wires. Nodes of darkness in a head or down the flank of a torso link up across the whiteness of the paper, and the fearlessness of tonal range attests to Guercino's mastery. He could work passages of light...

Author: /time Magazine | Title: The Vision of The Squinter | 6/29/1992 | See Source »

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