Word: inlaid
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Dates: during 1980-1989
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...example, the Ancient Egyptians thought death was like life, only more conceptual--so they wrapped their former pharoahs in ace bandages and secreted them in vast, angular postmodern structures built of stone. Moslems, on the other hand, have traditionally thought of the afterlife as a paradise of inlaid patios and plashing fountains, in which the True Believer could sit forever, dandling plump breasted houris and rosy bottomed boys upon his knees...
...from bad loans and famished for new capital, Unitedbank was a prime candidate for closure. Still, when an army of FDIC liquidators marched without warning into the bank's headquarters in a downtown skyscraper, the staff of 100 were traumatized. Secretaries wept as the intruders posted notices on the inlaid-glass walls, changed the door locks and dismantled automatic-teller machines. "We kept hearing the rumors, but nobody thought that this time it would be us," sighed Teller Erica Joiner, 30, who watched as armed guards took up positions in the lobby and federal officials affixed blue seals to cash...
...Lomas smiles a gentle, deal-the-cards smile and explains that in the antiques business there are no guarantees. Which does not mean there is no honesty. On a hunch, the day before, Dan Hingston, Withington's veteran auction manager, had unscrewed the brass drawer pulls of an inlaid, bowfront bureau. It was a rare piece, made around 1800, and Hingston had expected it to bring from $7,000 to $10,000. He discovered that the elaborate inlay work was modern, probably done about 50 years...
...breeches closed with gold buttons, a white waistcoat with a gold pocket watch, a crimson sash, a general's coat in scarlet wool with blue lapels and velvet cuffs studded with 20 14-karat buttons, a white wig and cocked bicorne hat, and a $15,000 18th century sword, inlaid with gold. "I come off as a totally arrogant, pompous ass," he says with pride...
...city's ; radical young artists and architects broke from the local academy, named themselves Secessionists and established their own countersalon in 1897. They called their journal Ver Sacrum (Sacred Spring) and practiced, as a matter of principle, a manic cross-fertilization. With Klimt, art became overtly decorative, gold-inlaid portraits masquerading as rich bijoux; with Hoffmann and his Wiener Werkstatte collaborator Koloman Moser, bowls and chairs aspired to art. It was a feverish, unresolved time, and the Viennese fin-de-siecle impulse was to savor the exquisitely confused cultural moment...