Word: inlaid
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...decorative pattern breaks up the surface. It volatilizes what once was solid, rendering substance−bronze, stucco, tile or parchment−almost immaterial. This was no less true of relatively small objects like a 13th century Syrian canteen in silver inlaid brass (see color page), with its elaborate conflation of Islamic and Christian imagery arranged in dense concentric bands, than of vast architectural projects like the tile-work of the Alhambra in Granada. It is hard−perhaps impossible−to hold the entire pattern in one's mind, even when looking...
...larger structure-Pisan Romanesque architecture, for instance, in which the complicated inlays and bands of black-and-white marble conspire to deny the overall shape of a fagade. This crystallized itself for her one day in Venice in 1960, as she watched a violent rain squall sweeping across the inlaid pavement of a piazza. The drops, filming the surface with water splashes, broke up the stone pattern, returning it briefly to chaos and instability. Could this breakup not be given an equivalent as painting? It could; and that sense of disturbed equilibrium within what looks like a rigid serial structure...
...logs), huffs up and down mountainsides, as does Chile's Antofagasta & Bolivia. The great Sud Express from Paris to Madrid - with a stop at the Spanish border for a change from standard-to broad-gauge (more than half a foot wider) undercar riage - still hauls magnificent Pullmans with inlaid-wood furniture and three-star menus. There are other royal rides for those who like to look an English cowslip in the eye or find out for them selves that Mussolini did indeed make Italy's trains run on time. "For God's sake," adjures Frimbo...
...academic research. Of this synthesis, Salome Dancing Before Herod is the masterpiece. Perhaps it is not, in formal terms, a great painting. But it is quite unforgettable, suffused by apprehension. Salome is less a dancing girl than a priestess, absorbed in her solipsistic gesture, gliding on point across the inlaid floor. In the brooding Herod, the standing executioner, the vista of Moorish arches and sifting gloom, one sees the apex of the kind of sensibility that in the hands of a Cecil B. DeMille would be coarsened to death. Every inch of the surface glitters with an enameled vitality, rigid...
...draft casting furnaces, the Indian goldsmiths attained a level of technical skill that seems no less amazing today than it did in the 16th century, when that consummate metalworker Benvenuto Cellini is said to have spent weeks trying (and failing) to duplicate an Aztec fish of flexible silver plates inlaid with gold. The earlier goldworking cultures of Peru used hammered sheets as their basic material, but the Colombian artisans preferred to cast their images from gold. They were masters of the lost-wax technique, whereby a model of clay and charcoal was formed and then covered with thin sheets...