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...vines and shrubs were planted, the brooks that traversed it were turned, by an impressive feat of hydraulic engineering, into lakes and reservoirs; even the four systems of traffic circulation, which Olmsted designed with unusual finesse, still work admirably after more than a century. No detail, from the marble inlay of a niche or the angle of a fountain jet to the disposition of a hickory grove, escaped him or Vaux. The result was a masterpiece...

Author: /time Magazine | Title: Environment: The Prescient Planner | 12/11/1972 | See Source »

...hexagonal iron-brown dish bearing a figure of Juro, the dumpy little god of longevity. Korin had an almost miraculous sense of materials; witness his writing box, with a design of irises, pool and bridge. The iris leaves and stems are gold lacquer, the flowers mother-of-pearl inlay, the bridge columns are rendered in silver while the planks, which run diagonally across the lid and down the sides, are dull inlaid lead. What Renaissance casket would not look fussy and florid beside this container? But it was in painting that Korin's virtuosity showed; especially in his screen...

Author: /time Magazine | Title: Art: Spare Clarity | 10/30/1972 | See Source »

...contention," Feder declares, "is that anyone can appreciate Indian art, regardless of his knowledge, background or previous experience." Perhaps-but in a strictly limited way. Few people could encounter the carved ceremonial masks of the Northwest Coast Indians, the Tlingit. Kwakiutl or Tsimshian, with their exquisite shell-inlay work and flowing, knife-blade forms that so inexplicably resemble archaic Chinese bronze decoration, without feeling some instant response to the vitality of their stylistic language. Through their art runs a supreme capacity to make sensation concrete: what European artist, for instance, could develop a more concise epigram of a grizzly bear...

Author: /time Magazine | Title: Art: Tribes in the Gallery | 12/6/1971 | See Source »

Even Locks & Bolts. Le Brun's artistic dictatorship was centered in the workshops of the Gobelins, where he directed the manufacture of tapestries, furniture, sculpture, mosaics, wood inlay-even locks and bolts. The style is called "Louis Quatorze," but it might as well be "Charles Le Brun"; seldom has a single man so completely shaped the look of his age. His best paintings were perfectly drawn and meticulously detailed scenes of grand battles and formal parades, but he was also a consummate portraitist with a little-used gift for capturing the nuances of feeling...

Author: /time Magazine | Title: Art: Official Artist | 8/23/1963 | See Source »

Fribourg kept on buying until every room in his mansion was a small museum in itself. He lived surrounded by rich inlay, intricately carved paneling, rare porcelains, precious furniture. He could point to a table and say. "That belonged to Marie Antoinette." A magnificent desk with inlay of metal and tortoise shell in ebony had belonged to Queen Victoria. Fribourg's bed was one that Napoleon had had made for himself and Marie Louise; it bears the date of their wedding. Fribourg owned 18th century Gobelin tapestries and Sèvres china designed by Boucher; he had 70 rare...

Author: /time Magazine | Title: Art: Versailles in Manhattan | 3/8/1963 | See Source »

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