Word: inner
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...weakness, the impression he gives voters that he doesn't quite know who he is. True populists who were sick of Clinton's slushy Third Way claptrap love all that fighting talk. But if they really want action, it's Nader who's proposing a Marshall Plan for the inner cities and an $8.50 minimum wage. Instead Gore promises tax credits for college and making that commute a little easier and a prescription-drug entitlement for every grandma. But the gentle program aimed right at the swing voters gets lost because they are so annoyed by Gore's aggressive manner...
...embellishments during repeats sound a bit rehearsed. One sometimes wants to hear more of a free approach, especially in the sections where inegal playing is necessary to the style of the variation. However, Perahia has obviously studied the score with great attention to detail, as his treatment of inner voices and his sense of direction in the fundamental bass clearly show. If you don't want to go with the extremes of a dionysian Gould (1955) or a puritan Rosalyn Tureck (1999), this is the recording to get. A- -Anthony Cheung
...that playwrights as talented as Bennett and Robertson must resort to such shifts in focus in order to tell the simple and compelling story of a man or woman gone mad? Countless novels, from Notes from Underground to One Flew Over the Cuckoo's Nest, depict the inner lives of deeply troubled individuals, as do untold numbers of movies. But novels and movies share a subjectivity that drama categorically lacks. Both can get inside the heads of their characters in a way that no piece of theater...
...novel, the precise cinematography of a well-made film. Both narrative and film can create a specific perspective from which their audiences can view a character gone insane. This perspective serves a dual purpose. First, it can allow the reader or viewer to more closely follow the inner development of a person in the throes of madness, a development that to an outside observer may simply appear a continuous and unchanging stream of irrational behavior. Second, it creates a type of dramatic development in the audience itself. Even if the condition of the central character remains constant...
...playwright may only present what a character does and says or what others do and say with regard to that character. He or she cannot force the audience to look at those actions or words from a specific point of view. Thus, in the case of madness, the inner development of a victim of insanity cannot be easily conveyed, for an audience will be prone to classify all varieties of irrational behavior and speech as more or less the same. Madness itself permits for little development. Nor can a dramatist force the audience's perspective on that madness to change...