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...dance in the abstract,” she added. “Clay has an almost metaphysical relationship to the body.” For the workshop’s final segment, Berensohn led the group outside, where he expanded his discussion to Eastern medicine, capitalism, “inner assurance” (his alternative to health insurance), and the gods and goddesses of the body. He argued that deep ecology is a way of life, drawing on the more-than-human in the everyday. It is this sense of continuousness between art and life that Berensohn stressed above...

Author: By Anna K. Barnet, CRIMSON STAFF WRITER | Title: Clay and Dance Merge in Joint Program | 10/25/2007 | See Source »

...others as well—choose the paths they do? Though the collection is necessarily a bit incoherent, Thurman’s consistently lively narrative voice compensates for any discontinuity. In each successive essay, Thurman takes on a new topic with equal ferocity, laying out for her reader the inner workings of the minds of artists, eccentrics, and politicians alike.Thurman opens her collection with “The Wolf at the Door,” a horrifying essay with a strangely hypnotic appeal. “The Wolf at the Door” profiles Anne Beecroft, a performance artist whose...

Author: By Rachel A. Burns, CONTRIBUTING WRITER | Title: Digging Beneath Tofu and Art | 10/25/2007 | See Source »

...Sara, Alterman emanated a passionate and intimidating ferocity that, at times, verged on psychosis. While her yelling quickly became old, she effectively portrayed her character’s inner rage. Alterman’s performance was touching and powerful not because of how loud she could be, but because of the means by which she built tension between Sara and the audience. Alterman effectively revealed Sara’s cursing and screaming as an attempt to cope with her rape by a classmate ten years ago, and led us to understand how a minor character in one of Sara?...

Author: By Denise J. Xu, CONTRIBUTING WRITER | Title: ‘Diptych’ Finds Depth in Duality | 10/14/2007 | See Source »

...Armstrong bounces like a lunar Tigger in the background. “I’m waking up at the start of the end of the world,” Rob-Thom narrates via song. We learn that contemporary history is more about Rob Thomas’s desperate inner-state than you ever realized (“I started crying and I couldn’t stop myself”), and shift nervously in our seats. Rob fixes you with his crazy, crazy eyes—and so you relent to play therapist to his apocalyptic paranoia...

Author: By Elsa S. Kim, CRIMSON STAFF WRITER | Title: POPSCREEN: Matchbox Twenty | 10/12/2007 | See Source »

...mere coincidences, the visual evidence strongly suggests that the genesis of the “death of the easel painting” owes much to Matter.In the final room of the show, the controversial paintings themselves are relatively small. Falling in what is described as “the inner realm” of size for Pollock paintings, most are not much larger than a piece of 8.5x11-inch printer paper—a factor that has, itself, played a role in the dispute.In fact, in the catalogue, one essay is dedicated specifically to the issue of the size...

Author: By Anna K. Barnet, CRIMSON STAFF WRITER | Title: Pollock Show Goes Beyond Controversy | 10/5/2007 | See Source »

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