Word: inners
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Dates: during 1960-1969
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...Fatah's signal, a band of Arabs sets out across the Jordan River on rafts made from tractor tires, carrying their Russian-made Kalashnikov assault rifles in waterproof inner tubes. In the darkness they land, make their way inland, plant a mine, ambush an Israeli patrol or throw a grenade, then scramble as best they can for home. The odds are heavily against their making it back, for many are caught or killed by efficient Israeli security forces. But the rewards are high, as posthumous compensations go. They are martyrs to all Arabs, their photographs and tales of their...
...along the Jordan River Valley. The fence is a smaller version of the one that former Defense Secretary Robert McNamara once envisioned putting up in Viet Nam below the DMZ to prevent North Vietnamese infiltration. It consists of an outer line of 8-ft.-high barbed wire and an inner, 5-ft.-high line 10 yds. away. The space between is laced with mines. At irregular intervals along the fence are strung electronic sensing devices, which raise an alarm in adjacent guard posts when an infiltrator tries to cross. The guards in turn alert nearby army units, equipped to react...
...play is a journey. It can be an outward journey through time, place and action. Or it can be an inner journey through mood, psyche and character. Murray Schisgal's Jimmy Shine attempts an inner journey. The trouble is that it doesn't go anywhere. Jimmy Shine is a transparent character: to see him once is to know him totally. He is a luckless misadventurer, a congenital flunker in the school of life, a born loser with a ready quip for a pick-me-up. Jimmy Shine does not grow, change, or develop, he simply recapitulates himself...
There is one remaining problem in Segal's work. Where to put it? Subway in the corner of a living room would impose the clickety-clack of rails maddeningly on the inner ear. The woman emerging from her shower stall obviously expects privacy. Each of them seems to demand a room...
That scene, like something out of Inner Sanctum, is a newcomer's introduction to Manhattan's latest and most curious experiment in public entertainment-a theater without a stage show, a cabaret without food or liquor, a party without an occasion. To its proprietor, a 25-year-old former talent agent named Ruflfin Cooper, Cerebrum is "an electronic studio of participation." Others have called it a "psychedelic playpen" and a "McLuhan geisha house." However defined-and perhaps it can't be-Cerebrum is an experience...