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Voucher backers--an unusual coalition of inner-city parents and conservative groups--retort that the judge misread both the Cleveland program and the First Amendment. They point out that Cleveland parents who don't like parochial schools can send their kids to the city's regular public schools, or to public charter schools and magnet schools. Clint Bolick, a lawyer for the Institute for Justice, which defended the voucher program, says, "No one can compel a child into the program or into a religious school...

Author: /time Magazine | Title: Poor Grade For Vouchers | 12/31/1999 | See Source »

...most people think of Kaufman as the bashful foreign mechanic on the sitcom Taxi whose salutation "Tenk you veddy much" became a national catchphrase. But a small cult of hard-core fans reveres Kaufman as a performance artist who upended stand-up comedy to explore his inner child. He wrestled women for laughs, created a thuggish alter ego named Tony Clifton and never let on where the prankster stopped and the real person began. When he died of cancer in 1984, at 35, even close friends suspected a hoax...

Author: /time Magazine | Title: Cinema: The Odd Fellows | 12/31/1999 | See Source »

Kaufman rightly objected to being called a comedian. But he was, perhaps, a mordant self-satirist, perpetually in touch with, loving and loathing, his inner child, the lonely little Long Island boy, consoled by his obsessive interest in the trashiest manifestations of pop culture. It was his luck to come on the scene in the '70s, just as a generation that had been shaped--blighted--by the same pop materials was arriving at self-consciousness. The natural impulse of the members of that generation was to nostalgize pop culture and their own innocent response to it. On the other hand...

Author: /time Magazine | Title: Cinema: A Paean To A Pop Postmodernist | 12/31/1999 | See Source »

...GORE Year begins with big lead, ends with you as punchline. Lose Naomi, embrace inner geek...

Author: /time Magazine | Title: 1999 Winners & Losers | 12/27/1999 | See Source »

McGinley's relationship to the game is interesting. So is Lauren Holly's with the crippled quarterback, finally letting the inner bitch residing beneath her cool jock's-wife beauty savagely surface. The trouble with the movie is its style, all handheld shots and short, jagged cuts. They're supposed to represent the barely controlled anarchy of the sport (and to let Stone touch on far too many narrative points). But almost three hours of this jitter deteriorates from bravura filmmaking to annoying mannerism, and Any Given Sunday ends up less than the sum of its many, often interesting parts...

Author: /time Magazine | Title: Cinema: Any Given Sunday | 12/27/1999 | See Source »

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