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...Little kids that were in his Franklin Hill Summer Program loved him," said J. Dalton Courson '98, former director of PBHA Inner-City Outreach the Franklin Summer Program's predecessor...

Author: By James P. Mcfadden, CONTRIBUTING WRITER | Title: PBHA Students Grieve Killing Of Local Teen | 12/15/1997 | See Source »

...commencement address at Harvard, he spoke of the "barriers in my soul" that had prevented him from making connections with others. "I suppose it was a form of cynicism on my part," he said. "The brokenness that separates the cynic from others is the outward sign of an inner division between the head and the heart. There is something icily and unnaturally intellectual about the cynic. This isolation of intellect from feelings and emotions is the essence of his condition...

Author: /time Magazine | Title: CAN AL GORE BARE HIS SOUL? | 12/15/1997 | See Source »

...north end, the 39th is home to Philadelphia's elite. Large, expensive houses with well-manicured lawns are owned by business tycoons and politicians. But closer to downtown is an area of about 1 sq. mi. that is still home to the predatory crime common in America's inner cities. "It's the kind of place where if you saw a big TV satellite dish, you knew something was wrong because just about everyone there was on welfare," says the sergeant known as Schoolboy, who was Blondie's nominal boss in "Five Squad," the detachment of plainclothes officers given...

Author: /time Magazine | Title: HOW COPS GO BAD | 12/15/1997 | See Source »

Sheu is active in community service, teaching music to inner-city children and counseling for Room...

Author: By Nanaho Sawano, CONTRIBUTING WRITER | Title: Marshall Scholars Selected | 12/9/1997 | See Source »

Edward Hopper was one of Diebenkorn's inner jury of admired masters--no other American painter except de Kooning influenced him as much. What he liked in Hopper, Diebenkorn once laconically said, was "the diagonals." Not the mood: you can't extract a Hopperish melancholy from Woman in a Window, 1957, though her face is averted. What she might be thinking doesn't count; she's a model, not a narrative. What does count is the confluence of vectors--the square window with its two planes of blue sea and sky, the tabletop rushing away to the right...

Author: /time Magazine | Title: ART: GOD IS IN THE VECTORS | 12/8/1997 | See Source »

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