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His dressing room afterward was besieged by well-wishers, including visitors from as far away as his home town of Modena in north-central Italy. Sometimes Pavarotti will make the supreme sacrifice, receiving fans for hours even when he knows the last restaurant in town is closing. In San Francisco...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

That night the claque never materialized. Neither, in a sense, did Scotto's performance. Possibly unnerved by all the squabbling, she was not at her best vocally or dramatically. Pavarotti came through splendidly. Playing a 17th century nobleman who is enmeshed in a conflict with the Venetian Inquisition, he made...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

After holding court in his dressing room, Pavarotti pressed into the crowded corridor followed by the members of a documentary-film crew, one of whom held a white umbrella aloft to diffuse a floodlight. As the tenor made ins progress toward the exit under the effulgent parasol, bestowing more blessings...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

Others do. The Pavarotti voice inspires some opera buffs to evoke the pre-World War I Golden Age, and others to proclaim a new one. "It's a phenomenal instrument, one of those freaks of nature that come very rarely in a hundred years," says Conductor Richard Bonynge. Clear and...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

Vocally, Pavarotti in recent years has skillfully negotiated the most treacherous shoals that face a tenor. Early in his career he was a classic tenore lirico, ideally suited to lighter lyric roles like Rodolfo, and florid bel canto roles like Nemorino in L'Elisir d'Amore. With age, however, a...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

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