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...instructional facility is "on a par with Fitzwilliam at Cambridge (England), the Ashmolean at Oxford, and Yale and Princeton's museums," Rosenfield, Curator of Oriental Art, said last week. But he added that the Fogg uses its collection "far more intensively" in teaching. "We increase the link insofar as is commensurate with preserving the collection," Rosenfield said...

Author: By Diana R. Laing, | Title: Obscured By The Fogg | 3/10/1977 | See Source »

...Seeger proved himself neither political nor commonplace. Rather he appeared more concerned with people than politics, interested in politics only insofar as people are affected...

Author: By David A. Demilo, | Title: 'Tis a Gift To Be Simple, "Tis a Gift To Be Free | 3/4/1977 | See Source »

Liddell's biography is a pioneer work, for no one has ever presented a complete treatment of Cavafy's life in any language. Previous Cavafy scholars have dealt with biographical material only insofar as it has enhanced their particular interpretations of the poet's work; moreover, the dearth of source materials has made possible a wide spectrum of interpretations, and has even generated disagreement as to dates and details of the poet's life. Liddell has carefully scrutinized all previous sources in an effort to weed out fancy from fact, and the result is a thoughtful, sympathetic and above...

Author: By Marilyn L. Booth, | Title: Discovering A Myth-Maker | 2/8/1977 | See Source »

...CURIOUS neophyte, Keeley's book is a more provocative introduction to Cavafy's world than is Liddell's biography. Yet the two complement one another, for Keeley discusses the poet's life only insofar as it enters into the progression of the poetic myth, while Liddell brings poetry into his book only insofar as it illuminates the poet's life. Thus, for the truly inquisitive neophyte, reading both books more or less concurrently is a highly satisfactory introduction to Cavafy's life and work. And, by juxtaposing the two studies, one is relieved of Liddell's occasionally tedious scholarly circumspection...

Author: By Marilyn L. Booth, | Title: Discovering A Myth-Maker | 2/8/1977 | See Source »

...Insofar as Dylan Thomas Growing Up has any message--beyond the author's own rich appreciation of childhood innocence, those days when boys exulted in "inaccurate" drawings of naked girls--it comes in the show's final moments. As Williams walks offstage into darkness chanting the famous "And Death Shall Have No Dominion," the lights come up on his storyteller's chair, now holding only a set of battered manuscripts. The device and its meaning--the immortality of art after its creator's death--are predictable enough; their sudden effectiveness here is a measure, perhaps the very best...

Author: By Julia M. Klein, | Title: Portrait of the Young Artist | 1/14/1977 | See Source »

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