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Peter Sellers is dead [Aug. 4], but his unique creations-Dr. Strangelove, Inspector Clouseau, Chance the gardener -will live on. Generations not yet born will hail Sellers as a comic genius in the tradition of Chaplin, Keaton and Lloyd. Sellers made us laugh. What better epitaph can a man have...

Author: /time Magazine | Title: Letters, Sep. 1, 1980 | 9/1/1980 | See Source »

...Great Impersonator used unique methods for his special effects. The voice of bumbling Inspector Clouseau is swiped from a Paris hotel concierge; in The Fiendish Plot of Dr. Fu Manchu, a film that will be released next week, Sellers imitates the uncle of his friend Lord Snowdon. Aurally acute listeners to Chance may recognize the voice of Comedian Stan Laurel. Although he was unmusical offscreen, he could become an opera star if the part required it. "Peter couldn't sing a bloody note," recalled Actor Wilfrid Hyde-White. "Yet when he sang Caruso, he took high Cs like Caruso...

Author: /time Magazine | Title: Show Business: The Prime Minister of Mirth | 8/4/1980 | See Source »

...aware, I have no personality of my own whatsoever," Sellers once said. For a guy with no personality, he had a lot of chutzpah. Somewhere within himself, he found a way to play Dr. Strange love and Henry Orient and Inspector Clouseau. And finally, Chauncey Gardiner, the TV-weaned hero of Being There...

Author: By David Frankel, | Title: Peter Sellers 1925-1980 | 7/25/1980 | See Source »

Larry Gelbart's original script-about a couple of high-society crooks, their $30 million heist and the wily Scotland Yard inspector (David Niven) who dogs their trail-may have meant to revive the old Hitchcock tradition of sophisticated comedy. But so frail a genre is more style than substance, and Siegel's trooper-boot direction flattens out the laugh lines and bits of business until they have all the charm of an airport runway. Gelbart was smart enough to remove his name from the credits (hence the screenwriter pseudonym). Reynolds was not so lucky...

Author: /time Magazine | Title: Cinema: Dead Horses | 6/30/1980 | See Source »

...threat to undergraduate access to the Loeb Drama Center, the arrival of Brustein and his professional troupe seemed to cause no immediate friction with students. The four ART shows--A Midsummer Night's Dream, Terry by Terry(a new play be Mark Leib), Happy End, and The Inspector General (directed by Peter Sellars '80)--fared well both at the box office and with critics...

Author: NO WRITER ATTRIBUTED | Title: The Curtain Goes Up On the Brustein Show | 6/5/1980 | See Source »

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