Word: instead
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...directions, Flyby finally found the two-room gym, which is in the house's basement nearby the Mt. Auburn Street entrance. While Adams' is the only house reviewed today that split its cardio and weightlifting equipment, the layout failed to give this prison-like gym a sense of space. Instead, it felt hot and cramped...
...consisted of salt-and-pepper heads and a handful of students with previous ties to the documentary’s subject: the extensive moral strain on an Israeli soldier after his involvement in the Israeli-Palestinian conflict. But the film did not suggest the outrage one would expect; it instead refused to convey a clear sense of Mograbi’s attitude toward the conflict, whether he found the soldier’s war crimes deplorable or forgivable. This was not propaganda; it was provocation.Two days later, the arts and political world crossed paths on a national level. News...
...released only one LP in their short lifespan: 2003’s critically-acclaimed work of uniquely sweet synth-pop, “Who Will Cut Our Hair When We’re Gone?” The songs were expansive and luminous masterpieces, eschewing traditional chorus-verse patterns; instead they meshed phrases and instrumentals into confidently organic art. This technique was best exemplified on that album’s most popular track, “Jellybones,” a sparse electronic backbone slowly layered with drumbeats and high, breathy vocals; it was broken briefly by sudden semi-silence...
...veté parallels our own; his paranoia is ours; and when revelations unfold, they’re for us, not just Chase. But in spite of this gambit, and the inherent ambition behind any setting as complex as this one, Lethem spoon-feeds the reader tropes from contemporary literature instead of developing anything uniquely satisfying, rendering “Chronic City” otherwise insubstantial.The novel begins as Insteadman’s meets one Perkus Tooth, an aging, roving-eyed rock critic and strikingly disparate figure whose hovel on 84th street provides the setting for much of the rest...
...chairs face each other, but in this photograph, they sit on a stage. With this setting, the viewer does not feel as if she is intruding on an intimate moment or stumbling into an abandoned room occupied by the subjects, animate or inanimate, of the photograph. Instead, like a bad actor, these more recent images fail to give a convincing performance, and this apparent falseness also keeps Palma’s intended deeper meaning from captivating the viewer. In these digital photographs, any arms that protrude from a wall or hands that float in reverential pose do not evoke Palma?...