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Among Hazzard's many strengths as a novelist, none is more dazzling than her ability to display the inner world of her characters in a few lines of lucid, supple, periodic prose. In Grace and Caro, "a vein of instinct sanity opened and flowed: a warning that every lie must be redeemed in the end . . . In their esteem for dispassion they began to yearn, perverse and unknowing, towards some strength that would, in turn, disturb that equilibrium and sweep them to higher ground...

Author: /time Magazine | Title: Books: Star-Crossed | 7/14/1980 | See Source »

...cast, Balanchine has turned to his "old guard," people whom he has worked with and molded over years. Only Ib Andersen is a newcomer. Only he and Heather Watts are under 30, and she and Peter Martins live together. There is a common instinct and a shared intimacy, even love, among the performers and the choreographer that make Davidsbündlertänze a pleasure to watch. One sees Farrell's stabbing attacks and abandoned extensions, Mazzo's charm and pliancy, Watts' unguarded enthusiasm, Martins' cool, assessing mastery. There is little vir tuosity here; steps seem...

Author: /time Magazine | Title: Dance: The Death of the Heart | 6/30/1980 | See Source »

...train on the track." Susan Hobart, a reporter for Portland's Oregonian, added: "The living are not welcome here. The ground rejects you, trying to suck you into foot-deep mud. Chill winds knife into your spine. Ash floats in the air, killing your sense of smell. Every instinct, every emotion warns you to go away. I felt like we were trespassing, like we didn't have nature's permission to visit its ashen graves...

Author: /time Magazine | Title: Science: No End Seems to Be in Sight | 6/9/1980 | See Source »

Picasso never painted an abstract picture in his life. His instinct for the real world was so strong that he probably would have produced something woman-shaped every time he took brush in hand. Nevertheless, some of his cubist still lifes of 1911 run close to total abstraction, depending on such slender clues as a glass or a pipestem to pull them back to reality. As he moved forward, he found in collage a way of linking cubism back to the world. Collage, which simply means gluing, brought fragments of modern life?newspaper headlines, printed labels?directly into the painting...

Author: /time Magazine | Title: The Show of Shows | 5/26/1980 | See Source »

...good story, or rather he pictures one. His narrative technique is more cinematic than literary. In addition, Love Story and its sequel Oliver's Story owed their popularity to one of Hollywood's most successful formulas. Like the old immigrant movie moguls, Segal has a shrewd instinct for providing audiences with idealizations of America's traditional affluent classes. There can be trouble and even tragedy in Franchot Tone country, but no one shouts, keens, throws things or dresses badly. -R.Z. Sheppard

Author: /time Magazine | Title: Books: Togetherness | 5/26/1980 | See Source »

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