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But now Asian printmakers - with leading artists among them - are in the vanguard of rehabilitating the craft. Their base is a renovated former godown in Singapore: the seven-year-old Singapore Tyler Print Institute (STPI). It runs a course for artists in fine-art printmaking, and then sells their work...
The starting point of the Asian print renaissance is a sunlit studio perched above the sluggish Singapore River. There, resident artists sketch or paint their works. When they're done, they descend to the movement's operations room, a cement-floored space sealed to all natural light. It is dominated...
The ability of printmaking to augment the depth of original paintings or sketches is the reason artists persist with the techniques. The new print exhibition of Indonesian pop artist Agus Suwage, running at the STPI from Sept. 26 to Oct. 24, is a case in point. Agus began his residency...
The 51 original works Suwage produced at the Tyler Institute bear the marks of this dissent. One depicts a naked woman against slate-gray letters - the text of the antiporn law - embossed onto paper that is often kneaded by hand from raw cotton. The physicality of Agus' finished piece, with...
Furthering the Asian avant-garde is probably not what ordinary Singaporeans have in mind when they purchase tickets for the city-state's 4-D lottery, drawn three times a week at the Paradiz Centre mall. But it was lottery money, channeled through the Singapore Totalisator Board, that was used...