Word: instrument
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Dates: during 1970-1979
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Exactly how the committee collaborated on the concerto has not yet been divulged by Chinese authorities, who do not encourage individual artistic expression. It is known that Pianist Yin Cheng-chung wrote the solo music. Like some Western works for solo instrument and orchestra, Yellow River has a program: it starts by invoking the day-to-day life on the river, ends with Mao's call to arms, and the defense of the river as a symbol of the entire country. Sophisticated Western listeners would have no trouble picking Yellow River apart, but for all its naivete...
...laid over the bass line for the first time in my memory; Stan Clarke's bass solo in "Bass Folk Song," and all his work on acoustic bass. Clarke plays bass as an equal member, not as a supporter. He attacks a solo from the viewpoint of a lead instrument, rather than expanding techniques of support. And there was Bill Connors's nice classically acoustic intro to "Sometime...
...looks as if it would have crumbled to dust if he had ever knelt on it. Though they are lethal weapons, his damascened swords and daggers are inlaid with golden flowers and lines of flowing script. The astrolabe looks more like an extravagantly ingenious toy than a working navigation instrument. Even the coins of Isfahan look too pretty to spend...
...Brandon, another of that Music 180 class, proved himself all that he is reputed to be. The Bassoon Concerto is an odd piece of music, but purposefully so--it is carefully crafted to the odd demands of the bassoon. One usually thinks of the bassoon as an "oom-pH" instrument, used for punctuation and bass foundations, but it has a beautiful tone, and is capable of some e startling leaps and bounds. Brandon negotiated the two octave jumps and running sixteenth note passages with ease and aplomb. His real success lay less in forcing the awkward bassoon to cooperate...
...elicited all of its show-off excitement. The French hornists, though, had a tough evening. Amy Larkey and Susan Grody struggled with a part which demanded entrances with very high notes. The critical attack on the first note is harder on the French horn than almost any other instrument, especially on high notes. Baker had the two stand to accept applause for their determined, if imperfect efforts...