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...instrument panel starts acting up, and the saucer shines a blinding light on the truck. The curious electrician pokes his head out the window and tries to focus his eyes on the UFO, but he is cowed by the light. Suddenly, the electrician's facial expressions seem to indicate that the alien beings inside the saucer are communicating with him telepathically, probably trying to force the innocent earthling to commit some dastardly deed for the invaders...

Author: By J. WYATT Emmerich, | Title: A Close Encounter of an Overblown Kind | 1/6/1978 | See Source »

...given Israel many instruments of war. But Anwar Sadat has given it an instrument like no other-his heart...

Author: /time Magazine | Title: Letters, Dec. 19, 1977 | 12/19/1977 | See Source »

...program of "Music from Outer Space-a Star Wars Concert," was the Los Angeles Philharmonic, under Zubin Mehta, playing excerpts from Gustav Hoist's The Planets and Richard Strauss's Thus Spake Zarathustra, better known as the theme from 2001: A Space Odyssey. For special effects, each instrument stand in the orchestra had been hooked up to a microphone controlled by sound engineers, and stabbing rays of laser light began crisscrossing the bowl. As the music changed in intensity, the laser beams changed in shape. Said an exuberant Zubin: "This was an adventure. I wouldn...

Author: /time Magazine | Title: People, Dec. 5, 1977 | 12/5/1977 | See Source »

Khan plays the been, the oldest classical string instrument on the Indian subcontinent, and Gopaldas plays the pukhawaj, a barrel drum that is India's most ancient percussion instrument...

Author: By Marc L. Baum, | Title: Musician Plays Ancient Songs | 11/22/1977 | See Source »

...next work, Max Bruch's Violin Concerto No. 1 in G minor, the orchestra was joined by soloist Stephen Chan. The concerto includes the traditional three movements; the first has something of the quality of a dramatic dialogue, alternating the tragic declamation of the solo instrument with the orchestra's solemn thunder. Chan played with technical elan but a rather lifeless tone that occasionally made it hard to distinguish him from the rest of the orchestra. But he was more in command of the languorous Adagio which followed. This exquisite lamentation is less a dialogue than a duet, with...

Author: By Jurretta J. Heckscher, | Title: Playing an Eclectic Blend | 11/1/1977 | See Source »

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