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Morrison began to use his voice non-verbally, as an instrument. In most songs he would bring the band down to a groove and then simply scat sing over that groove. "Caravan" had a beautifully timed and syncopated, "doo-doot" scat chorus from the choir, and "Tupelo Honey" had a long scat singing section. The scat singing is an undercurrent, a constant reminder of the building tensions in Morrison's music...

Author: By Freddy Boyd, | Title: One More Moondance With Van | 5/26/1972 | See Source »

Russian delegates had less to crow about. A Soviet TV-equipped instrument package did reach Mars last December in company with Mariner 9. The Russian ship landed safely and even began sending signals. But the intense dust storm that was buffeting the planet at the time completely obscured the view. ("If you know, for example, what London fog is like, then you have an idea what was there," explained Mikhail Marov, head of the Soviet Mars program.) After sending signals for only 20 seconds, the Russian vehicle apparently tumbled over in the high winds (perhaps as strong as 300 m.p.h...

Author: /time Magazine | Title: Science: New Image for Mars | 5/22/1972 | See Source »

Analysis is also an instrument of power. Although legislatures hold the purse strings, access to think tanks should move toward working and co-cooperating with the legislatures across the United States, including the U.S. Congress...

Author: By David J. Scheffer, | Title: Think Tanks: Public Power in Private Hands | 5/17/1972 | See Source »

...Second Brandenburg used to be done as something of a trumpet concerto. Mercifully, this custom has passed; but the instrument's construction--producing a high, searing tone--give the trumpet a dominant role in the piece. Playing the piccolo trumpet. Robert Hazen noticeably tired in the final allegro, missing some high notes altogether and parts from sixteenth-note sequences. In the first movement, though, he was in much better from with a beautifully quiet tone that blended well with flute, oboe, and strings. peter Weiss played oboe unevenly: he was not sensitive to the dynamics of the other players...

Author: By Kenneth Hoffman, | Title: A Farewell Concert | 5/16/1972 | See Source »

...Purcell pieces have a mysterious air to them and yet are curiously dull. The playing, by various members of the string sections, was more spirited than usual for these works. Simpson's cello playing was especially sensitive and powerful, coaxing a wonderful resonance from the instrument. When the fantasias are done by viols, the blend of sound can be excruciatingly monotonous. At the same time, there are advantages to original instruments: a viola da gamba's tuning is different from a cello's and the notes it plays on open strings can change the shading of tonality greatly...

Author: By Kenneth Hoffman, | Title: A Farewell Concert | 5/16/1972 | See Source »

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