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...here." It was the understatement of the space age. Apollo 13 had been rocked by "a pretty large bang" from Odyssey's service module, which houses the spacecraft's main engine as well as most of its life-giving power and environmental systems. Almost immediately, the command module's instruments recorded a surge of electrical current followed by an alarming drop. On Odyssey's instrument panels, red and yellow warning lights flashed on. In Houston, controllers snapped to attention as telemetered data from Apollo 13 began to confirm the magnitude of the problem...

Author: /time Magazine | Title: Nation: Four Days of Peril Between Earth and Moon | 4/27/1970 | See Source »

...Instrument of Tyranny...

Author: /time Magazine | Title: Essay: LENIN: COMMUNISM'S CHARTER MYTH | 4/27/1970 | See Source »

...well-to-do peasants, which escalated into open warfare when thousands of detachments of Bolsheviks forcibly requisitioned grain and other products. It was Lenin who, after the 1920 Bolshevik victory in the civil war, turned his full attention to building the gigantic machinery of rule that served as the instrument of Russia's new autocracy and, ultimately, of Stalin's tyranny...

Author: /time Magazine | Title: Essay: LENIN: COMMUNISM'S CHARTER MYTH | 4/27/1970 | See Source »

...horrors of the Stalin era. Probably the essential difference between the two leaders was that Lenin considered coercion as a temporary weapon in Socialism's struggle against its enemies, while Stalin applied it as a method of everyday rule. Yet the fact remains that Lenin created the instrument of power that allowed Stalin to do as he did, and he formulated the principle that ultimately made all of his successor's crimes possible: "Our morality is completely subordinated to the class struggle." Here is the 20th century extension of Ivan Karamazov's doctrine that "if there...

Author: /time Magazine | Title: Essay: LENIN: COMMUNISM'S CHARTER MYTH | 4/27/1970 | See Source »

...trying to minister to Mexicans and Indians under the flinty, egocentric but spiritually incandescent will of their superior, Mother Maria (Shirley Booth). Into their midst comes a Negro on the lam, Homer Smith (Al Freeman Jr.). It is Mother Maria's conviction that Homer is the chosen instrument of God for building a chapel in their faith-parched wilderness. Naturally, he builds it. So much for suspense...

Author: /time Magazine | Title: Theater: Coagulated Treacle | 4/13/1970 | See Source »

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