Word: instrumentality
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...mirror - what you see depends on who you are and where you stand. Obama puts it this way: "I serve as a blank screen on which people of vastly different political stripes project their own views." But those metaphors all suggest that he is some sort of passive instrument, when in fact his elusive quality is an active part of his personality. It's how you square the fact that Obama once wrote the most intimate memoir ever published by a future nominee yet still manages to avoid definition. At his core, this is a deeply reserved and emotionally reticent...
...Vicious became the permanently coolest member of the Sex Pistols when he died of a heroin overdose; Cobain has already spent some of his fresh superstardom as a heroin user. The Who and Jimi Hendrix ritually smashed and burned guitars onstage in the '60s; today Nirvana does its own instrument-destroying thing. There is a familiar solipsism. Alternative rock, says Atlantic Records' Danny Goldberg, who managed both Nirvana and Sonic Youth, ''takes itself very seriously. It's very similar to the '60s.'' Plus the jeans, the extremely long hair . . . ''I look at Nirvana and Soul Asylum,'' says Jann Wenner...
...that lets the music speak most directly to the listener. Beethoven: Symphonies Nos. 1 and 2. Christopher Hogwood conducting the Academy of Ancient Music (L'Oiseau-Lyre). Beethoven: Symphonies Nos. 2 and 7. Arturo Toscanini conducting the NBC Symphony Orchestra (RCA). No greater contrast can be imagined. Original Instrument Specialist Hogwood offers light, fleet, graceful performances that explicitly evoke Beethoven's classical- period roots. Toscanini, on the other hand, is rough and hard charging in these readings from 1949 and 1951. Once, Toscanini's Beethoven was Beethoven, as surely handed down from on high as Schnabel's. Today, Toscanini...
...government's chief of protocol, and dabbles in songwriting herself - her greatest hits include upbeat Sandinista remixes to John Lennon's "Give Peace a Chance" and Bob Marley's "One Love." Mejia could not claim ownership of the songs, she argued, because the folk singer had simply been "an instrument for the divine rhythm" that came through his body "from an unknown, sacred place." Murillo then showcased her own ability to channel the divine rhythm by arranging a full orchestra remix of Mejia's famous revolutionary hymn "La Consigna" at a government rally on June 21 - a week after...
...world has changed on our watch. I didn't grow up knowing how to use a computer. So that instrument alone is highly symbolic that the world has changed. It's very fast, very dynamic, very fluid. A kid in Bangalore can come up with a program that could make Microsoft obsolete in two years. This is scary. This makes for great uncertainty. So what we're really worried about is the success of our kids. That's why we push them to achieve. And that's why we're focused on the Harvard, Yale, Princeton brand-name education...