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Word: instrumentalization (lookup in dictionary) (lookup stats)
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Though the public saw him as the archetypal modernist, he was disconnected from much modern art. Some of the greatest modern painters--Kandinsky, for instance, or Mondrian--saw their work as an instrument of evolution and human development. But Picasso had no more of a Utopian streak than did his Spanish idol, Goya. The idea that art evolved, or had any kind of historical mission, struck him as ridiculous. "All I have ever made," he once said, "was made for the present and in the hope that it will always remain in the present. When I have found something...

Author: /time Magazine | Title: The Artist PABLO PICASSO | 6/8/1998 | See Source »

...event in the musical history of this century--the world premiere of The Rite of Spring. Trouble began with the playing of the first notes, in the ultrahigh register of the bassoon, as the renowned composer Camille Saint-Saens conspicuously walked out, complaining loudly of the misuse of the instrument. Soon other protests became so loud that the dancers could barely hear their cues. Fights broke out in the audience. Thus Modernism arrived in music, its calling card delivered by the 30-year-old Russian composer Igor Stravinsky...

Author: /time Magazine | Title: The Classical Musician IGOR STRAVINSKY | 6/8/1998 | See Source »

...says the book shows how literature can be "an instrument for people in other professions...

Author: By Barbara E. Martinez, CRIMSON STAFF WRITER | Title: Engell an Ensconsced Harvard Ally | 6/2/1998 | See Source »

Derivatives are a kind of nuclear financial instrument. They are powerful and highly complicated agreements designed to offset certain financial risks. Under steady conditions they work well. But in derivatives, like nuclear mishaps, there are no small accidents. And as the Asian economic crisis worsens--and in Indonesia's case nears catastrophe--the financial Geiger counters are beginning to buzz...

Author: /time Magazine | Title: The Banks' Nuclear Secrets | 5/25/1998 | See Source »

...many students are not aware of the opportunities available to them through the Foundation to shape the discourse on race at Harvard. Based on our conversations and observations in the past four years at Harvard, we feel that students often perceive the Foundation as a limited, and primarily cultural, instrument of the University that puts on "song-and-dance" cultural shows and invites high-profile speakers to campus, but does little to foster day-to-day relations and social interactions between students of different backgrounds...

Author: By Sewell Chan and Sarita James, S | Title: Beyond Song-and-Dance | 5/1/1998 | See Source »

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