Word: instrumentalized
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Dates: during 1980-1989
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...ultimate instrument for forgetting is television. It is inherent in the medium. The flickering image is impossible to retain. Who remembers the once ubiquitous Mike Douglas? Frank Reynolds? Michael Dukakis? Pastlessness is inherent in video, with its fast cuts and dissolving shots and rerecord button, with its moving tape forever recording a vanishing now. For a television society, every day is Today, This Morning and Tonight. Television life is a rolling present relieved only by commercial breaks...
...impact there was a thundering shudder, followed by the wail of the ship's siren. In one of the Maxim Gorky's restaurants, as the pianist was playing The Green, Green Grass of Home, a heavy loudspeaker crashed down on the instrument. The passengers, almost all West German pensioners who had boarded in Bremerhaven, stumbled on deck into freezing...
...least 15 years, the satellites would give scientists their first comprehensive look at just how the world's environment changes over time. Detectors would monitor the shrinking of the tropical rain forests as well as of the polar ice caps (a possible consequence of global warming). One instrument would measure the stress of pollution on the leaves of trees, while another would monitor the health of small ponds. Data from all the detectors would be correlated in an unprecedented effort to understand the interactions of earth, sky and water...
Romer, Pena and other boosters decried the frequent and long delays that have already become legendary at Stapleton, a point seconded by Transportation Secretary Samuel Skinner on a visit during the campaign. The field's two main runways are too close together for simultaneous instrument landings; in bad weather only one can be used. Airport planners contend that a new field could be financed without any tax money. They expect to receive $500 million from Washington and to raise the rest by selling bonds that would be redeemed by fees charged to airlines and concessionaires...
...respects Gould's talents too much to canonize, or psychoanalyze, him. Instead, he sends the reader back to the recordings. And there, as one listens, one senses that in some deep but precise sense, Gould and his piano were truly one. For the man himself was a highly sensitive instrument, tuned to a fine pitch, capable of many moods, and played upon at times by otherworldly forces that found in him an unforgettable beauty...