Word: instrumentalized
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Dates: during 2000-2009
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...orchestra easily shifted from the lovely dance-like themes in the first variation to the quiet, minor lyricism of the fifth. The dialogue between the solo voices of the orchestra was especially well articulated, as the two-note slurs and other musical motives were seamlessly passed among the different instrument sections...
...Dreams," he emotes with a previously unheard Elton John - like pop softness, and "There Was a Time" has him scampering flawlessly up the vocal ladder from low growls to meticulous high notes. Most of the tracks clock in at about five minutes, with solid melodies and abundant pace and instrument changes. Choirs show up sometimes, as do a mellotron and a Spanish guitar. It's almost enough to keep things interesting. Almost...
Children who play a musical instrument perform better on tests of motor, auditory, vocabulary, and non-verbal reasoning skills, according to a study by Harvard researchers released last month. The study, which was led by co-principal investigators Gottfried Schlaug, an associate professor of neurology at Harvard Medical School, and Ellen Winner, a professor of psychology at Boston College and a senior research associate at the Harvard Graduate School of Education, tested a group of 59 musicians and non-musicians ranging from eight to eleven years old. The tests showed that the children who had played piano...
...fear is a key strategic instrument in political campaigns, according to Alex Castellanos, a Republican media consultant and Institute of Politics Fellow who hosted a discussion on the subject on Friday. Three days after the 2008 presidential election, the talk centered on the ways that television campaign advertisements play on voters’ fears. Castellanos, who has been responsible for creating numerous television campaign ads, said that fear is both an important and necessary part of politics. “We need more fear in politics,” he said. He analogized the use of negative ads in campaigns...
...them together under those timbers that night, took the stage—burly, black shirt, slightly stooped with guitars in both hands—that hum of anticipation burst into a roar. Without a word, he sat down at his stool in the spotlight, adjusted the microphone towards his instrument, and began to play.There are few living guitarists who could consider themselves equal to Leo Kottke. Over the last four decades, he has established himself as an innovator, not only of the acoustic guitar but of a movement whose interlocking eclecticism and traditionalism have informed generations of music makers...