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Word: instrumentalized (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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...ultimate symbol of the Catalan people - one of their most glorious achievements, a monument to their language, history and struggle. But, at the same, it is a bastion of pluralism. Its anthem explicitly welcomes immigrants, and over time, it has served as a powerful instrument for assimilating newcomers into Catalan society. Every morning this past week, I have dressed my 14-month-old baby in her Barça tracksuit, earning her approving cheers from my Latino neighbors as she waddles down the street. I nod, proudly and smugly. (O.K., some Americans do inherit their fandom.) The same emotions course...

Author: /time Magazine | Title: Homage to Catalonia | 5/14/2006 | See Source »

...This drum is a very, very, very powerful instrument,” Beyl said. “It will be a song that we want to send back home to his family...

Author: By April H.N. Yee, CRIMSON STAFF WRITER | Title: At Powwow, Friends Mourn Death of Respected Campus Leader | 5/8/2006 | See Source »

...years B.C. (before Christian), the jazz guitar was mostly a rhythm instrument. In his hands, it emerged as a brilliantly lyrical solo voice, one that echoes in virtually every electric guitarist who has followed. Christian's death from tuberculosis at 25 made him one of jazz's greatest might-have-beens. This four-disc package--largely his 1939-41 appearances as a precocious star of Benny Goodman's combos--proves that he was one of jazz's greatest, period...

Author: /time Magazine | Title: 7 Greatest Jazz CDs | 5/7/2006 | See Source »

...became the leader's best ever. The compelling evidence is on these three discs, on tracks like Cotton Tail, Ko-Ko, Jack the Bear and Harlem Air-Shaft. Individual glories abound, but the band's chief glory remains the nonpareil jazz composer whose instrument it was: the Duke himself...

Author: /time Magazine | Title: 7 Greatest Jazz CDs | 5/7/2006 | See Source »

...diverse and varied as it is interesting and talented. The one-hour show will give the audience a glimpse into a traditional South Indian music called Carnatic. Vocalists Samir V. Rao ’08 and Vasanthi Sridhar ’07 will perform, accompanied on traditional Carnatic instruments by violinist Vivek A. Rudrapatna ’06, and mridangam (a double sided South Indian drum) player Shakeel Avadhany (MIT ’09). According to Rudrapatna, Carnatic music is very similar to other music forms, such as Russian classical, in so far as having a 12-note octave. However...

Author: By Nicola C. Perlman, CONTRIBUTING WRITER | Title: Finding the Rhythm In Improvising | 5/3/2006 | See Source »

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