Word: instrumentals
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Dates: during 1970-1979
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...issue was tax cuts, stolen from the newspapers out in California, where they lumped it under the unlikely name of Proposition 13. King took the issue and played it like a fine instrument, caressing it and keeping it polished, and he carried it out of the September primary with a mandate to reverse the trend in government toward human services and other "wastes." The clenched fists were raised and a throaty roar went up when Ed King beat the Duke, because his people knew the issue could not lose...
...philosophy embodied this conflict and, in a sense, mastered it. He could invest himself with religious charisma by using the traditions of American fundamentalist theology: faith healing, apocalyptic exhortations, visions of the promised land. But he could also provide his followers with a forceful rationalization: his church was an instrument of social revolution. The follower was to prove his convictions the old way--tithe and then some...
...your head, can you name two or three of the world's greatest bassoon players? Nor can I: the unfortunate bassoon has in recent times been much neglected as a solo instrument. David Sogg's performance of Mozart's B flat major concerto, K. 191, showed that this neglect is unwarranted, while providing a welcome respite for a musical world saturated with concerti for piano or for violin. It is unfortunate that more people did not take advantage of this nearly unique opportunity to hear an excellent bassoonist in a solo context...
These qualities that make Mozart so universally appealing are also responsible for his difficulty to perform. Happily, though, David Sogg is an extraordinarily gifted musician. His tone is clear and pure, his technique marvelous. Few regard the bassoon as an exceptionally agile instrument, but Sogg demonstrated that it can be precisely that. The rapid passagework and the herioc leaps between the uppermost and lowermost registers were rendered with astounding lucidity. More importantly, his fine sense for the subtle lyricism of Mozart was obvious, especially in the second movement, and throughout the piece he allowed the music to express itself with...
...life is no longer seen as ascendant. But no matter how democratically advertised, visions of the New Jerusalem, Utopia or an Edenic Jonestown are bathed in a totalitarian light. And they are shadowed by glimpses of enemies: Antichrist, Gog and Magog; paranoia is often a cult's principal instrument of discipline. Even in 1978, one catches whiffs of an old dementia and witchfire...