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Acting on his desire to create new and exciting music, Greunbaum invented the world’s first relativistic keyboard, the Samchillian Tip Tip Tip Cheeepeeeee. “It’s my odd little contribution to society,” he said. The instrument, which he demonstrated during last week’s visit, is an ergonomic keyboard altered to produce electronic sounds as a MIDI controller. Instead of designating a specific note for each key, Gruenbaum designed the keys to correspond to intervals within a preset scale...

Author: By Sarah L. Solorzano, CRIMSON STAFF WRITER | Title: Inventing His Own Musical Keys | 10/24/2003 | See Source »

Still, Drums and Tuba never break away from the funk/jam mold, precisely because they underuse their titular instruments. Tony Nozero’s fluid beats are more of an undercurrent than a driving rhythmic force, too often overshadowed by McKeeby’s love affair with sliding on the electric guitar. Those excited to hear the tuba will be disappointed, as Brian Wolff’s instrument mostly fades into the background as a barely audible walking bass. In Wolff’s few moments in the spotlight, his lower register booms while higher notes often slide out of tune...

Author: NO WRITER ATTRIBUTED | Title: New Music | 10/3/2003 | See Source »

...lost. Then again, only two hours before, he'd played the most exciting performance of Rachmaninoff's famously challenging Piano Concerto No. 3 I'd ever attended. So he could be forgiven for letting his football skills dip. Lang Lang is already a veteran. He's been studying his instrument since joining the Liaoning-based Shenyang Conservatory of Music at the age of 3, made his professional debut at 13, and grabbed attention in America in 1999, when his last-minute substitution in "Gala of the Century" in Ravinia with the Tchaikovsky Piano Concerto No. 1 brought the audience...

Author: /time Magazine | Title: Roll Over Beethoven | 8/31/2003 | See Source »

Vasile Gliga has come a long way since his first, illicit foray into business. While employed by Reghin's state-owned violin factory in the 1980s, he secretly made an instrument for himself at home. In 1990, following the Romanian revolution, he sold it to a dealer in the West. The $2,000 price, an undreamed-of fortune, not only bought him a secondhand auto, it also prompted a decision. Frustrated by what he calls the "old-style communist-worker mentality" ingrained in his factory colleagues, he quit his job, calculating that he and his wife, working from home, could...

Author: /time Magazine | Title: Enterprise: Romanian String Section | 8/25/2003 | See Source »

There's still a snob factor associated with violins, says Naomi Sadler, editor of the British magazine The Strad. "It's true that old Italian instruments are lovely, but some of the top makers today are also producing incredibly good instruments," she says. While most of the best players will use only an original Cremonese masterpiece, at least one world-famous violinist was impressed by a Gliga instrument. In a 1995 letter to Gliga, Yehudi Menuhin wrote, "Dear and very fine craftsman ... I shall treasure the instrument you made ..." At his headquarters in Reghin, Gliga displays the Menuhin letter with...

Author: /time Magazine | Title: Enterprise: Romanian String Section | 8/25/2003 | See Source »

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