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...this sounds like a mess, but it isn't; all of Spector's productions have a solid beat - they swing, in fact - and in each number some distinctive solo instrument rides clearly above the mix, carefully placed, articulating the hooks. (Take a listen to the acoustic guitar in this segment from "Uptown.") One of the most interesting components in the Wall of Sound is the horn section, which modulates through the chords without accent, like a pianist who hits a chord once and then holds down the reverb pedal until the next harmonic shift. Other elements define the beat...

Author: /time Magazine | Title: The Obsessionist | 10/13/2000 | See Source »

...Ronnie had a weird natural vibrato - almost a tremolo, really - that modulated her little-girl timbre into something that penetrated the Wall of Sound like a nail gun. It is an uncanny instrument. Sitting on a ragged couch in my railroad flat, I could hear her through all the arguments on the street, the car alarms, the sirens. She floated above the sound of New York while also being a part of it - a Bronx-born Latina stomping her foot on the sidewalk and insisting on being heard...

Author: /time Magazine | Title: The Obsessionist | 10/13/2000 | See Source »

...contrasted wonderfully to the drab and muted color palette of the factory and courtroom scenes. In contrast to Hollywood musicals of the '40's and '50's, von Trier uses the song and dance to further the exploration of his characters, a fragmentation or parallel universe, rather than an instrument of frivolity or light-heartedness. Bjork's performance and singing are stunning (if one is lenient toward her blunt acting style), and her voice carries one into her vulnerable and fragile sphere; all one needs to do is follow her into the depth of the notes that resonate, creating...

Author: By Dan Cantagallo, CONTRIBUTING WRITER | Title: Start Spreadin' the News: Björk! Björk! | 10/13/2000 | See Source »

...fiddler, Jostrom had not taken the typical course to learning his instrument. He would pick up most music by ear, listening to both records and fiddle players...

Author: By Warren Adler, CONTRIBUTING WRITER | Title: First-Year Releases Bluegrass CD | 10/12/2000 | See Source »

...Crossing, fits the priestly mold: a researcher in experimental medicine at a prestigious teaching hospital, whose vocation is as spiritual as it is scientific. He does not believe in playing God, nor does he, like Alec Baldwin in Malice, believe he is God. But Gideon believes he is the instrument of something greater than the sum of his MRIS and charts. "He is willing to put himself on the line personally," Braugher says. "He's not afraid to sit at the bedside, not embarrassed by death and illness. He knows that inside the ill person is the same person...

Author: /time Magazine | Title: Television: Metaphysical Therapy | 10/9/2000 | See Source »

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