Word: insulter
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Dates: during 1920-1929
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Beau Brummel. John Barrymore does his most telling and versatile work since Dr. Jekyll and Mr. Hyde in Richard Mansfield's famous vehicle portraying the impudent English dandy of 1800 who would not take an insult from a rotund Prince of Wales who did not look as prepossessing as he. Mr. Barrymore's remarkable virtuosity enables him to look like Adonis at the height of the Beau's career; like Ernest Torrence upon his downfall; like Lon Chancy as the palsied wreck of the once famed gallant. The story really has its climax at the start...
...Boston newspapers attribute rather rough treatment to Dr. Straton at the hands of the Harvard students, but it is a question whether this treatment was any more than was deserved by one who would insult the intelligence of college men by skimming the froth off a serious religious discussion and presenting a mass of sensational statements, unsupported by reason of fact.--expecting students to capitulate under bombastic oratory. It is significant that the sympathies of the audience were openly in agreement with the man who accused Dr. Straton of "arguing in circles", "evading the issue", and "failing to present...
Later, in President Peret's office, M. Magne declared that the insulting word had not been intended for ex-Premier Painlevé, but "as a simple commentary on défaitists [name given to the pacifists during the war] like Bolo, Duval and Almerleda." The insult had been provoked by M. Mandel. This explanation was made public in the Chambre and was accepted...
...painting, representing a woman on the steps of a ruined temple, her crown falling from her head, and clutching in her arms the tablets of Moses and a broken scepter, has been the subject of violent controversy between the civil authorities and prominent Jews who regard it as an insult to their faith. The identity of the ink-thrower is as yet unrevealed, but His aim was not equal to his ardor. The damage to the canvas is confined to some dozen splashes on less vital parts and will doubtless yield easily to the expert manipulation of a restorer...
...attempt to introduce Professor Copeland to members of the three upper classes would be to insult their combined intelligences. All have heard of his celebrated bons mots, and a goodly proportion have probably attended at least one of his "evenings" in Hollis Hall. As well ask a cultivated Londoner if he has ever heard the name of James McNeil Whistler, or a Parisian if he is familiar with the works of Emile Zola. If there breathes a man who has been at Harvard for two years and still does not know of the hermit of Hollis Hall, he should...