Word: insulter
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Dates: during 1970-1979
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Elie Wiesel hated it. NBC'S 9½-hour docudrama, Holocaust, so offended the author and survivor (Buchenwald, Auschwitz) that he wrote: "Untrue, offensive, cheap: as a TV production, the film is an insult to those who perished and to those who survived. What you have seen on the screen is not what happened there." But Wiesel has written almost obsessively about the Holocaust; he has a kind of morally proprietary passion about it. He is a keeper of the flame, a visionary who sees the past as intensely as a prophet sees the future. Many more Americans seemed...
WHEN ALAN BATES CLOUTS the sassy Cliff Gorman over an insult he has just thrown at his new-found lover (Jill Clayburgh), one sighs, settles back and recognizes that "An Unmarried Woman" has just permanently botched its chance of being considered a great movie. That the film is still a highly enjoyable--even moving--effort has not been affected, only its pretentions to the kind of greatness accorded to it by some reviewers. Most of its leading actors and actresses, particularly the much-touted Jill Clayburgh are, indeed, stunningly good and that is of no small importance in a movie...
That's all for this week--nothing else caught my jaded fancy. As Brahms once remarked as he walked out of a dinner party, "If there's anyone I've forgotten to insult, I apologize...
...also asked Castle unadvisably to be the British liaison in a fanciful (or perhaps not so fanciful) project code-named "Uncle Remus," in which the U.S., Britain and West Germany are helping the white South African minority to retain political power with tactical nuclear weapons. To add injury to insult, Castle learns that the man who helped his wife escape from her country, a Communist agent and a close friend named Carson, has recently died in a South African prison, officially of pneumonia. (But understanding how Pretoria operates, Castle knows otherwise.) Castle may be cowardly, apolitical and jealous only...
...comedy. In dramatic series, good, responsible characters can be developed and portrayed by blacks, intermixing them with whites; in comedies, the producers are highly tempted merely to satirize black family life, exaggerating and distorting it. Every harassed, desiccated TV writer knows how to get a laugh with a bellowed insult or ostentatiously jivy dialect...