Word: insulters
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...next three, which focus on Jackie's dream: writing a long-gestating biopic about her aunt, a '30s Roller Derby star. The movie gets sold--not by Jackie but by a man she briefly dates who steals the idea. She ends up hired as his writing assistant, while--adding insult to insult--the studio decides to convert her idea into a tween movie set in the present. "No offense," an exec tells her, "but nobody goes to the movies to see chicks...
...National Guardsman in the frame looks grim. His bunkmates are cutting up a bit, clowning for the camera. The cameraman tries to coax some action out the unwilling documentary subject, who refuses: "I'm not supposed to talk to the media," he says. You can hear the insult's sting in the cameraman's shouted protest: "I'm not the media! I'm not the media!" The sharp denial reflects a key collateral campaign in the Iraq war: to keep soldiers strictly on message...
...soccer star Zinédine Zidane for his ferocious head butt to the chest of Italian defender Marco Materazzi in the waning minutes of overtime of the World Cup final. Zidane, known as Zizou to the fans who worship him, later explained that he erupted after having to endure one insult too many--not to mention a game's worth of off-the-ball rough stuff--from a fullback who has been called l'animale in Italy...
Having Karl Rove write about lessons from the career of Roosevelt was an insult to one of our greatest Presidents. If Rove had been working for one of T.R.'s opponents, he would have slapped together a band of Spanish-American War Veterans for Truth and suggested that Teddy had been sipping Cuba libres on a gunboat instead of leading the charge up San Juan Heights. WILLIAM G. SCHELLER Waterville...
...Basically, Ginzburg, like Sam Roth before him, was convicted on a kind of Truth in Advertising sting: he suggested his magazine was dirty when it wasn't. Adding insult to injury, the same day the Supremes upheld Ginzburg's conviction, they overtuned a Massachusetts obscenity ruling on Fanny Hill. Justice William Brennan, writing for the majority, stated that to be obscene a work must be "utterly without redeeming social value." That the judges could implicitly place the patently artful Eros in that unredeemed category is an irony they apparetly ignored...