Word: intents
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Dates: during 1960-1969
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...howling mob in the rear charges through the audience. Fans scream. Unshakeable photographers, like the Italian paparazzi, click their cameras. The reason? Berowne (in a mod green and lavender outfit), Longaville (Ted Graber), and Dumaine (Anthony Mainionis) have arrived, with Air India tote-bags slung over their shoulder, intent on making a retreat--just like a trio of Beatles. The King (Charles Siebert), bearded, barefoot, and white-gowned, is their chosen guru, the Maharishi Mahesh Yogi, speaking in a foreign accent. The constable Dull (Rex Everhart) is in khaki uniform with a sergeant's chevrons on his sleeves...
...when the King returns to England that the director and Madden have gone astray. I said above that the role admits of great latitude in performance. One thing, though, is sure: Richard suffers, but he always revels in his suffering. He is a masochist. He feels, he intentionally embroiders on his feelings, and he can at the same time even objectively observe himself from outside. He is always conscious of his audience--even when the audience is just himself. He undergoes emotions, but can control and channel them as he sees fit. Shakespeare has made Richard the purveyor of artificial...
...wall. Police reinforcements soon overcame Brown's defense. After taking a look at his blood-spattered apartment and German Model Eva Marie Bohn-Chin, 22, lying semiconscious below his balcony, they arrested the former Cleveland star on charges of felony battery against a peace officer and assault with intent to commit murder. The prosecutor later dropped the assault charge when Eva refused to name Jimmy as the assailant...
...guile and blather, while Mitchell Ryan's sodden, dandyish Jim Tyrone is a tarnished peacock straight from Old Broadway. Salome Jens, with hoydenish charm, discloses the vulnerable waif inside the intimidating woman. Director Theodore Mann has sensitively staged the play in fidelity to O'Neill's intent: Moon does not brighten the sky, but mirrors itself in melancholy fragments on a swelling sea of sorrow...
Enderby, an expanded, enriched version of a 1963 work, Inside Mr. Enderby, comes as close as any of Burgess' novels (A Clockwork Orange, Tremor of Intent) to serving both his favorite lightweight tone and one of his favorite heavyweight meanings. Here, with the most offhand, scurrilous charm, he illustrates as well as preaches that the artist is the man who expresses for all men their unbuttoned true selves...