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Chafee himself considered his major work the drafting of the Federal Inter-pleader Act of 1934. Although his interest in civil rights developed as a by-product of his more technical legal work, it was in the defense of free expression that Chafee achieved national prominence...

Author: By Martha E. Miller, | Title: Zechariah Chafee, 71, Dead; Taught Law for 41 Years | 2/9/1957 | See Source »

Their reasons for admiring the fine arts varied. Taylor noted the inter-relation of art and history, and maintained that the purpose of the artist was to bring about a "cross-fertilization between the two." Ben Shahn, Charles Eliot Norton Professor of Poetry, said that in art "it is the intent that counts...

Author: NO WRITER ATTRIBUTED | Title: Authorities Emphasize Rewards, Difficulties of Fine Arts Career | 2/8/1957 | See Source »

...weeklies' resurgence reflects editorial as well as economic vitality. In addition to relaying the back-fence chit-chat on which weeklies have traditionally thrived, the papers are the only inter preters and watchdogs of local governments in hundreds of U.S. communities, whose problems, aims and achievements go largely unrecorded in the metropolitan press. "We wouldn't be here if the dailies hadn't created the void in the first place," says a staffer on Seattle's weekly Argus (circ. 5.142), which has beaten the city's dailies on big local stories. Last week the Argus...

Author: /time Magazine | Title: The Press: Country Slickers | 2/4/1957 | See Source »

...clear, he said, that the West has never been in sight of the 1952 target of 85 military divisions in the central sector of Europe, and that while tactical nuclear weapons and the possibility of an Inter-Continental Ballistic Missile had lessened the danger somewhat, they also created great uncertainty as to when, and in what manner, NATO forces would actually be used...

Author: By John G. Wofford, | Title: Gaitskell Asks Neutral Central European Zone | 1/10/1957 | See Source »

...humor of the inter-connected affairs is suggested through subtle shades of irony rather than by the rapier-thrust of social criticism. Although the picture takes place in the Vienna of 1900, director Max Ophuls has lifted it out of any specific time and place and has wrapped it in the mists of something resembling fantasy. His photography is excellent. Like an uninvited guest, the camera peeps out between swaying curtains to take in the soft tones of a series of lush interiors and to catch, as if by accident, the people who sport in them. As a result...

Author: By Thomas K. Schwabacher, | Title: La Ronde | 12/17/1956 | See Source »

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