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Importantly, the pieces in “Over–stocked” are crucially interdependent??none make full sense apart from the context of the others. Wing begins the discussion deceitfully, suggesting that the show will be a trite critique of consumer culture. Quickly, though, Mueller and Ryoo dissolve this notion and turn the critical microscope onto art itself. And finally, gracefully, O’Reilly gestures at a resolution. Together, the artists’ work comprises an organism, and any attempt to understand it atomically or deconstructively will be misinformed...

Author: By D. ROBERT Okada, CONTRIBUTING WRITER | Title: MetaArt: Constructing Self-Criticism | 2/15/2002 | See Source »

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