Word: interiorized
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Dates: during 1970-1979
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...oxide responsible for the reddish hue of Mars. But Viking's arm may have failed to make delivery to still another miniature laboratory, an organic chemistry analyzer designed to look for evidence of past Martian life. After two attempts, telemetry showed that soil had apparently not reached the interior...
Harvard's new lab will include, among other safety features, reduced interior air pressure (to keep germs from escaping) and sterilization of wastes. That was not enough to reassure the Cambridge council, led by Mayor Alfred Vellucci. After conflicting testimony from a host of scientists, including Nobel Laureates David Baltimore (for the research) and George Wald (against it), the council last week voted for the moratorium, during which a panel of scientists and lay members will consider the issue further. Gloated Vellucci: "We caught Harvard just in time...
Tilting Coffin. The most striking aspect of the bush society is its remarkable stability. Two U.S. blacks from Harvard, Neurobiologist S. Allen Counter Jr. and Admissions Officer David L. Evans, have spent five years studying the 5,000 surviving bush people of the interior and have produced a one-hour documentary film, The Bush Afro-Americans of Surinam and French Guiana...
...today, with the revival of interest in realist painting, the swing has gone the other way, and recently the U.S. Government gave it a vigorous push. In early 1974 the Department of the Interior approached some 45 artists with the suggestion that they go on location throughout America and paint what they saw, provided that what they looked at fell under the department's jurisdiction: mountains and swamps, plains, beaches, dams, railroads, national parks, sawmills, highways. California's Joseph Raffael went to Hawaii and came back with large paintings of water lilies; New York City's best...
...course, the Department of the Interior's first act of art patronage. The preservation of Yellowstone National Park was largely caused by the public impact of the paintings of Thomas Moran, who a century ago worked at Yellowstone with the department's surveyors. As a project, America 1976 is heavy with reminiscence of the 19th century, when the language of sublimity was formed from the raw material of landscape by such artists as Moran, Frederick Church and Albert Bierstadt and the indomitable photographers (Eadweard Muybridge, Timothy O'Sullivan, William Jackson and the rest) who lugged their brassbound...