Word: interiorly
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Dates: during 1960-1969
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...originality and experimentation. These directors are also quite young; hence their tendency to celebrate youth and spontaneity, And whether they are conscious of the fact or not, a concern with honesty runs throughout their films. They will always rent an apartment in preference to shooting a fake studio interior, and their departures into fiction will always be shown as patently nonsensical rather than strain your credibility...
...Chancellor nearly three years ago at the age of 87, and has used the post to embarrass his rotund successor with anti-Erhard maneuverings inside the party. Last month, Adenauer decided at last to give up the C.D.U. chairmanship, hoped to install a candidate sympathetic to his policies, preferably Interior Minister Paul Lücke, in the balloting at the C.D.U. convention next month...
Jean-Lue Godard's A Woman is a Woman, the first film in the aniversary series, seems highly atypical of the New Wave at first sight. The use of color and cinemascope depart from the amateurish, low-budget style of Breathless, and the large number of interior shots violates the New Wave maxim of "on-the-street" shooting. But these departures only point out the most important tendency in the New Wave movement: the willingness to experiment with any style, any technique, or any location. Godard uses his camera with the same abandon that characterized Breathless, and in his hands...
Lest you get bored with the long interior scenes, Godard has greased every pivot on his tripod so that the camera often wheels about the room. In fact, Brialy occasionally hops on a bicycle and rides around the dinner table. By contrast, Godard has inserted five minutes of candid shots on the Paris streets which, grasp their subject matter so naturally that you never think of him trudging about with a bulky cinemascope camera. The abundant use of jump-cuts keeps the films pace fast and your eyes blinking for the entire 90 minutes...
...left the question of who kidnaped Ben Barka just where it had been before: wildly up in the air. Key witnesses to the Left Bank snatch were still in hiding or not talking or dead or simply unidentifiable. Gaullist Deputy Pierre Lemarchand-a close friend of Figon and French Interior Minister Roger Frey, and himself one of the barbouzes (bearded ones) who serve as De Gaulle's super-CIA-testified before an investigating magistrate that a handful of French cops had accepted $200,000 from the Moroccans for helping kidnap Ben Barka, but insisted that neither Frey...