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Word: intermissionless (lookup in dictionary) (lookup stats)
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...premiere at Lincoln Center's Mitzi E. Newhouse Theater - is something that really throws the audience out of its comfort zone. This challenging play has the most complicated time-shifting dramatic structure I've seen in years. Nothing really falls into place until about halfway through its dark, intense, intermissionless hour and 45 minutes. "I guess what I was interested in doing," Bovell told an interviewer before the play opened, "is giving the audience a bit of work to do." To which I say, Hallelujah. (See pictures of the Royal Shakespeare Company through history...

Author: /time Magazine | Title: The Best New Play of the Year | 3/18/2010 | See Source »

...first hour of the ninety-minute, intermissionless play derives virtually all of its humor from the shock value of the existence of man-goat love. Martin, played by the affable film actor Bill Pullman is a successful architect who enjoys a still passionate marriage to Stevie, portrayed by the Tony and Academy Award-recipient Mercedes Ruehl. They have a lovely modern apartment, a lovely gay son and a lovely well-financed lifestyle. The applecart is violently upset, however, when it is revealed Martin is having an affair. With Sylvia. Who is a goat...

Author: By Adam R. Perlman, CRIMSON STAFF WRITER | Title: When Bestiality Turns Boring | 4/5/2002 | See Source »

...disaster from those who suffer the effects. But it is also about -- to the extent that the hallucinatory stream of consciousness can be said to be "about" anything -- transvestism, multinational corporations, military buildups, Hostess cupcakes and rape of every variety. At times, director Reza Abdoh's 135-minute, intermissionless work, co-written with Mira- Lani Oglesby, sounds like the ravings of a paranoid schizophrenic; at times, it is performance art of fever pitch and mute beauty...

Author: /time Magazine | Title: Theater: Once Outposts, Now Landmarks | 6/12/1989 | See Source »

...does not help this 90-minute intermissionless drama that most key crises in Frances' life happen offstage or that so much time is spent with peripheral characters about whom one could not care less. The language bruises the ear, ricocheting between period brassiness ("There's one slick bozo," "There's this bimbo there givin' me the glad eye") to sorry flights of pseudopoetic home truths. On the other hand, the nickelodeon-like music of Claibe Richardson tickles the ear. Apart from Dunaway, the only one who threatens to run away with the show is Designer John...

Author: /time Magazine | Title: Theater: Nostalgia Nut | 2/8/1982 | See Source »

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