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While neither Somali nor seaborne, many people around the world are nevertheless pirates. Internet users outside the United States are absurdly unable to access American television shows through the networks’ websites directly or via Hulu. Left with little choice, they master the murky world of link compilers such as sidereel.com and surfthechannel.com, conduits for illegal videos hosted by such sites as megavideo.com and others. Even in America, distribution of cable shows is so inefficient that domestic viewers resort to piracy. The networks’ shocking response to such desperate demand for their products has been not to expand...

Author: By Kiran R. Pendri | Title: Futurology 4 | 4/12/2009 | See Source »

...When people saw the violence in Vietnam and the caskets coming home, the response was both shock and anger; it was these feelings that culminated in the peace movement that has been so emblemized in American history. What has changed since then?Everything. 24/7 news stations, the internet, satellite communications, digital photography, and a film and TV rating system that goes from G to NC-17 and beyond have transformed the world and the way it consumes and interprets information. The kind of violence that once shocked the audience of the Vietnam era is now funneled...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: A Desensitized American Psyche | 4/10/2009 | See Source »

Halfway through “The Posthuman Dada Guide: tzara and lenin play chess,” one may indulge the urge to turn to the Internet to help explain Andrei Codrescu’s looping chain of definitions, anecdotes, and exaggerated statements about the world. The entries that compose Codrescu’s “guide” are thick with allusions to forgotten female poets and obscure psychedelic rock bands. It’s hard to read them without wanting to know more, especially with little prior knowledge of Codrescu’s main focus: the 1920s...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Posthumanity Plagues A Port-Dada Historian | 4/10/2009 | See Source »

...DIGITAL“Digital technology is increasingly the medium that artists are working with today,” says Lauren Cornell, Executive Director of Rhizome, an organization dedicated to the creation, exhibition, and critique of largely web-based artistic enterprises. “When artists are working with the Internet and directly engaging with culture and society as it’s happening, those technologies are reshaping and challenging the world that we live in.”“This is art that’s at the forefront of culture,” she continues...

Author: By Denise J. Xu, CRIMSON STAFF WRITER | Title: The Web and Flow of Art | 4/10/2009 | See Source »

...Allowing us to escape the duty of keeping the conversational ball rolling in the face of contention, the Internet and new communication technologies have had the paradoxical effect of allowing us to connect with millions of people—who all share our opinions. We want more of the same. Instead of risking blind dates with friends of friends, we find mates online who match our interests and values. Netflix suggests movies for us like those that we’ve already seen. Pandora constructs radio stations for us out of music we already know we will like. Farewell difference...

Author: By Alexandra A. Petri | Title: We Need to Talk | 4/9/2009 | See Source »

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