Word: interplay
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Dates: during 1990-1999
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...those present at the House of Blues last Monday and Tuesday night for Ying Yang, Victor Wooten's solo project, were witness to a unique interplay between a band that loved playing and an audience that loved listening...
...times it's part of an elaborate ensemble of virtual dancers. It may be 20 ft. tall and amber, or tiny, white and barely there. Its "body" morphs from a hand-drawn squiggle to an array of dots to a mesmerizing blur. When it's visible, you study its interplay with the live dancers. When it vanishes, you wonder when it will return. At times, the audience gasped...
...Wols's abstractions are scenes of the everyday realities of Paris life. Influenced by Moholy-Nagy and other Bauhaus aestheticians, they reveal the abstraction inherent in commonplace details. When figures are used, as in Untitled (Clochard) ,their human identity is obscured. Bodies become compositional elements, mere surfaces for the interplay of shadows. Other images, such as the stunning Untitled (Bucket), utilize light to create form. The water in the bucket has a metallic shimmer to it, suggesting a solidified surface. Wols skillfully contrasts the texture of the rags' ribbing with the placidity of the water to create an image...
Wols's abstractions are scenes of the everyday realities of Paris life. Influenced by Moholy-Nagy and other Bauhaus aestheticians, they reveal the abstraction inherent in commonplace details. When figures are used, as in Untitled (Clochard) their human identity is obscured. Bodies become compositional elements, mere surfaces for the interplay of shadows. Other images, such as the stunning Untitled (Bucket), utilize light to create form. The water in the bucket has a metallic shimmer to it, suggesting a solidified surface. Wols skillfully contrasts the texture of the rags' ribbing with the placidity of the water to create an image...
...Wols's abstractions are scenes of the everyday realities of Paris life. Influenced by Moholy-Nagy and other Bauhaus aestheticians, they reveal the abstraction inherent in commonplace details. When figures are used, as in Untitled (Clochard) ,their human identity is obscured. Bodies become compositional elements, mere surfaces for the interplay of shadows. Other images, such as the stunning Untitled (Bucket), utilize light to create form. The water in the bucket has a metallic shimmer to it, suggesting a solidified surface. Wols skillfully contrasts the texture of the rags' ribbing with the placidity of the water to create an image...