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Word: interplay (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Dyck was truly a painter's painter. There is nothing intimidating about his work, as there often is about Rubens'. He loved private character and painted the interplay between that character and the public mask with a sensitivity that few artists have rivaled since. Sometimes he would seem to have done this by guesswork. His 1633 portrait of Henry Percy, "the Wizard Earl" who spent 16 years of his life immured in the Tower of London for his supposed complicity in the Gunpowder Plot, is an icon of saturnine intellect, from the same introspective domain as Robert Burton...

Author: /time Magazine | Title: Art: A Meteor That Didn't Burn Out | 1/14/1991 | See Source »

...bandleader Gerry Mulligan, 63, is particularly impressed by Wynton's developing skills as a composer and his "sensibilities as a bandleader." Those sensibilities were sorely tested in 1985, when Branford jumped ship to join Sting's rock group. That not only destroyed a band style based on the tight interplay between the two brothers, but also sparked press articles that turned the breakup into a bitter public row. The dust has settled, but relations remain cool between them. "He didn't kill nobody, you know," shrugs Wynton...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

...museum takes a controversial look at the interplay of "high" art and "low" (popular and mass) culture. Alas, the survey works better in the catalog than on the walls...

Author: /time Magazine | Title: Time Magazine Contents Page: Oct. 22, 1990 | 10/22/1990 | See Source »

...colors in his works are vivid and the forms solid but curvaceous. Forms rendered by line and those denoted by blocks of color are in a captivating interplay. One piece which exemplifies the interchange remarkably well is the 1947 work, Woman at a Window. The solid blocks of monochrome color are seen through the decisive black curves that define the nude figure. We cannot be certain that the figure is the subject matter of the work. We begin to suspect that the blocks of color--overpowering the transparent figure by virtue of their expansiveness and contrasting tones--are themselves...

Author: By Suzanne PETREN Moritz, | Title: Viewing Forms of Le Corbusier | 10/19/1990 | See Source »

...piece, titled "Collaborative Yellow," in which each VES student of one class contributed a strip, is an exercise in varying items for texture. Among the everyday elements featured are sponges, licorice, and wash clothes, covered in bright yellow paint. The vivid color and interplay of textures draw the veiwer in to examine what beneath the paint creates the unusual texture. The painting is fun to look...

Author: By Suzanne PETREN Moritz, | Title: Mixed Media, Messages, and Student Success | 4/20/1990 | See Source »

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