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...record capitalizes on the desire of fans to hear old-school, "Plush" grunge. No. 4 capitalizes on the interplay between the hard rock emphasis of STP's debut album, Core, and the lessons in eclectic beat formation and poppy renditions of 1994's Purple and 1996's Tiny Music from the Vatican Gift Shop. In many respects, the album seems to reflect a band that is almost too happy to be creating together again, so instead of the work indicating musical growth it becomes a stylistic retrospective...

Author: By Nikki Usher, CONTRIBUTING WRITER | Title: Album Review: Pilots Fly High, Crash Land | 10/22/1999 | See Source »

Both nights were filled with the interplay between audience and Wooten's band and their improvisational skills. Wooten proclaimed upon opening his set Tuesday night that "we are going to have fun, play a lot of stuff, and we don't know exactly what we're going to do, but we'll have...

Author: By Nikki Usher, CONTRIBUTING WRITER | Title: Swoonin' Wooten at the House of Blues | 10/15/1999 | See Source »

...those present at the House of Blues last Monday and Tuesday night for Ying Yang, Victor Wooten's solo project, were witness to a unique interplay between a band that loved playing and an audience that loved listening...

Author: By Nikki Usher, CONTRIBUTING WRITER | Title: Swoonin' Wooten at the House of Blues | 10/15/1999 | See Source »

...times it's part of an elaborate ensemble of virtual dancers. It may be 20 ft. tall and amber, or tiny, white and barely there. Its "body" morphs from a hand-drawn squiggle to an array of dots to a mesmerizing blur. When it's visible, you study its interplay with the live dancers. When it vanishes, you wonder when it will return. At times, the audience gasped...

Author: /time Magazine | Title: Dance: Double Vision | 8/2/1999 | See Source »

...Wols's abstractions are scenes of the everyday realities of Paris life. Influenced by Moholy-Nagy and other Bauhaus aestheticians, they reveal the abstraction inherent in commonplace details. When figures are used, as in Untitled (Clochard) ,their human identity is obscured. Bodies become compositional elements, mere surfaces for the interplay of shadows. Other images, such as the stunning Untitled (Bucket), utilize light to create form. The water in the bucket has a metallic shimmer to it, suggesting a solidified surface. Wols skillfully contrasts the texture of the rags' ribbing with the placidity of the water to create an image...

Author: By Nadia ANYMONE Michelle berenstein, | Title: Wols (Wolfgang Otto Schulze) | 3/19/1999 | See Source »

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