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...troops out of Afghanistan and liberated Eastern Europe. Some conservatives have concluded, with as much glee as alarm, that Gorbachev is returning to the bad old days of the cold war. That characterization is not just simplistic -- it misses the irony of what is happening. The emerging U.S.-Soviet interplay is in some respects a throwback to the even older days of razzle-dazzle realpolitik, before the era of a global, Manichaean struggle between two ideologies...

Author: /time Magazine | Title: America Abroad: No, It's Not a New Cold War | 3/4/1991 | See Source »

...dull. But Bush's individual brush stroke and dynamic use of color eliminate the potential problem. For example, Untitled I shows a spectrum of vibrant colors painted in brisk, assertive strokes which cover two canvases. The resulting piece has neither a central form nor dominant color. Instead the interplay of colors and the rich texture spread equally over the work, leading the eye in multiple directions...

Author: By Suzanne PETREN Moritz, | Title: Student Art at Currier | 3/1/1991 | See Source »

...Dyck was truly a painter's painter. There is nothing intimidating about his work, as there often is about Rubens'. He loved private character and painted the interplay between that character and the public mask with a sensitivity that few artists have rivaled since. Sometimes he would seem to have done this by guesswork. His 1633 portrait of Henry Percy, "the Wizard Earl" who spent 16 years of his life immured in the Tower of London for his supposed complicity in the Gunpowder Plot, is an icon of saturnine intellect, from the same introspective domain as Robert Burton...

Author: /time Magazine | Title: Art: A Meteor That Didn't Burn Out | 1/14/1991 | See Source »

...bandleader Gerry Mulligan, 63, is particularly impressed by Wynton's developing skills as a composer and his "sensibilities as a bandleader." Those sensibilities were sorely tested in 1985, when Branford jumped ship to join Sting's rock group. That not only destroyed a band style based on the tight interplay between the two brothers, but also sparked press articles that turned the breakup into a bitter public row. The dust has settled, but relations remain cool between them. "He didn't kill nobody, you know," shrugs Wynton...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

...museum takes a controversial look at the interplay of "high" art and "low" (popular and mass) culture. Alas, the survey works better in the catalog than on the walls...

Author: /time Magazine | Title: Time Magazine Contents Page: Oct. 22, 1990 | 10/22/1990 | See Source »

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