Word: interplay
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...interplay between horse and rider is complex and ultimately mystic. Unless thrown, a rider cannot finish ahead of his horse, and certain racing sophisticates regard betting jockeys as a prelude to bankruptcy. But now comes Cauthen, apparently able to win races aboard a healthy Chihuahua. Track professionals analyze and shrug...
...material enhances his thesis, for the essay progresses much as Keeley would have Cavafy's myth evolve--from the first tentative attempts to circumscribe a subject to the buildup of a multicellular organism in which each part functions to the betterment of the whole. Keeley first discusses the interplay between the literal city of Alexandria and Cavafy's mythical counterpart. He then treats each plane--the sensual (contemporary) and historical--separately, and finally unifies the two in a brief discussion of the poet's latest work, and the beginnings of a "universal mode," which led George Seferis, a Cavafy scholar...
...they were written, choosing instead those in which the thrust lies in the verbal wit, poetics, and/or drama. The variegated chain of musical excerpts didn't always Ring Bells for the audience, but if there wasn't applause at the first line, there infallibly was at the last; the interplay of words, the subtly expressive gesture, the sheer virtuosity of the singing, something, somewhere along the line, would spark the fireworks...
Welles did not direct The Third Man, but the film's expressionist camerawork and jagged interplay of light and shadows betrays his influence. Set in post-war Vienna, split into four zones by the occupying powers, this film, written by Graham Greene, is without a doubt one of the best spy thrillers ever made. Tense, well-paced, and exciting, it features Welles as Harry Lime, a treacherous amoral operator around whose machiavellian vision the whole film revolves. Few films other than Hitchcock's pack so much anxiety into a single shot: a cat licking a man's shoe makes...
...exactly 22 steps, but that in the masterful final scene of the descent of those stairs, a count of the steps taken by the various characters indicates that they go down 37 or 38 steps. Hitchcock, of course, deceives us visually, stretching the stairs to prolong the complex emotional interplay of the scene." Nobody's arguing...