Word: interplayers
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...black eyeliner away from being hurtled into emo obscurity. But on “Fifty On Our Foreheads,” this tendency to wax melancholic is superseded by pulsing snare and bass, which transitions from an unassuming introduction to an uplifting finale. Opening with a soothing interplay between the swirling tones of the omnipresent synthesizer and pacing drums as the perfect complement to McVeigh’s initially understated tonalities, the track suddenly progresses into an exhilarating and momentous thrill ride that awakens the listener from what has otherwise been a rather lethargic and long-winded reverie on morbidity...
...characteristic flair for the dramatic, proved all of the hype about him was well justified. Settling himself at the Steinway concert piano, Lang opened with a poetic rendition of Franz Schubert’s Piano Sonata No. 20 in A Major, D. 959. In the first movement, the interplay of soprano and tenor voices created a chorus of classical lines that conveyed a dialogue of teasing questions and indignant retorts. Raising a finger to his lips as if to silence the piano, Lang Lang physically signaled the dreamy transition into a barcarolle-like segment, which he executed with seamless tempo...
...composed by 19th century Italian master Giuseppe Verdi, is one of his most famous pieces. The opera recreates the psychological tension and villainy of William Shakespeare’s play of the same title. Originally named “Iago,” the opera focuses on the vocal interplay between Othello and his traitorous ensign, Iago, who spends the course of the play engineering Othello’s downfall. According to Artistic Director and Conductor Channing Yu ’93, LHO’s production boasts a full orchestra to accompany this vocal interplay. The orchestra is comprised...
...Railroad” preceding the lines of “A train, a train, a train, a train! Could you, would you on a train?”—Kapilow transforms Dr. Seuss’s classic tale. In addition to adding variety, the creative arrangement and interplay of ritardandos, accelerandos, crescendos, and diminuendos further the emotional component of “Green Eggs and Ham” and shape the plot dimension of the otherwise playful but repetitive rhyme.The biggest success of “Green Eggs and Hamadeus” is the appeal to a remarkably...
...figures of their own—John F. Kennedy’s head, for one, is cropped onto a saint’s body, with “Ask not what your country can brew for you, ask what you can brew for your country” below. The interplay between Fairey’s work and the preexisting environment reveals the complexities involved in the display of street...