Word: interplaying
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...lyrics may be cheesy, they tie to the album’s 15th track, “Wings Away,” in which Schneider sings, “So we open up and scream / Until it all becomes a dream.” In this instance, the lyrical interplay effectively invokes two separate concepts of dreaming. On other tracks, however, lyrical motifs become merely repetitive, most obviously in the dialogue between “C.P.U.,” “Floating in Space,” and “Nobody But You.” All three...
Schuyler is notable because she is willing to speak openly about the interplay of gender and power at Harvard final clubs. But her experience is not uncommon. The dominance of single-sex social institutions creates a variety of unsavory consequences for many women across this campus...
...evening could have had no better finale than Johannes Brahms’ Symphony No. 3 in F major. Cortese skillfully guided the interplay of violins, cellos, French horn, and oboe through the thick harmonies of the first and second movements. The highlight of the evening’s performance was undoubtedly the third movement, with a hauntingly poignant melody that does not easily leave memory. Driven by the orchestra’s momentum, Cortese led the fourth movement to the evening’s positively triumphant conclusion...
...Brinton Parker ’10 and Lindsey R. Brinton ’12, who are sisters. The challenge of piano four hands is daunting for even accomplished pianists, but the sisters complemented each other’s performances both in terms of technique and stylistic expression. The interplay between them was so precise that it was difficult to tell which pianist was playing which phrase, creating a truly seamless piano performance. Though Poulenc rose to fame in France as an avant-garde composer in the early 1900s, he was an artist before his time. A century later in Paine...
...complex interplay between characters demands much from the actors in a play that finds room for both comedic and dramatic moments. For the most part, the cast pulls it off. Kramer delivers as Clive, nailing the desperate, angst-ridden teen with a deliberately exaggerated performance, allowing for ambiguity concerning how much of his persona is affectation and how much is real anguish...